Youre looking at a full hanging ivy panel, dense with palm-shaped leaves and curling tendrils trailing down from branching stems. The whole thing runs tall and narrow. Smallest size is 5.5 inches tall, biggest sits at 7.5 inches, but the width stays between 3.5 and 4.2 inches so it fits cleanly on a standard jacket back panel or a tote side without spilling over the seam allowance.
Its one colour only, dark green, which means theres exactly zero thread changes and the machine just runs. Every leaf has directional satin stitching that follows the leaf shape, so each one sits with a slightly different angle from the next and the result looks more like a botanical print than a computerised repeat. The tendrils at the tips are fine outline stitches that curl back on themselves, realistically they do look like actual ivy tendrils, not just squiggles.
Pair a no-show stabiliser. Tear-away wont hold this flat on anything but a rigid canvas. The stitch count runs about 10k to 14k depending on size, which is moderate, but the leaf coverage is close together so your topping matters on any textured fabric. On smooth woven linen or cotton twill it stitches completely clean with no topping needed. Hoop tightly, the tall narrow shape is prone to rotational drift on a loose hoop. Skip velvet for this one unless youre experienced with dense fill on pile fabrics. Last autumn I had a customer stitch the largest size on a raw-edge linen tote for a Christmas market stall and she sold every bag before noon on the first day. Email me your order number if theres any issue with the download and Ill get it back to you quickly.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Tote bag side panels for a botanical lookStitch it on the side panel of a natural canvas tote and it looks like something from a high-end stationery brand
- Linen table runner border accentsRun two repeats mirrored at either end of a linen table runner and you have a botanical table setting piece without any extra embellishment
- Denim jacket back or sleeve panelsPut it down the back left panel of a denim jacket and pair it with a plain pocket design on the front for a cohesive set
- Framed hoop art for a home office or hallwayHoop in a tall 5x7 ring on cream linen and frame it, the single green thread on cream is clean enough to live in any room
- Cushion cover designs for a green-themed roomCentre it on an 18-inch cushion cover in white or sage linen and the dark green reads really bold against both neutrals
- Botanical gift wrap fabric panelsCut a strip of natural cotton, stitch the design down the centre, and use it as wrapping fabric for a plant or garden gift
- Apron bib or pocket accent for a gardenerWorks on an apron bib pocket for a gardener or plant-lover and the ivy feel is obvious without being over-literal
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 5.50 × 3.54 in | 9,891 |
| 6.00 × 3.86 in | 10,544 |
| 6.50 × 4.19 in | 11,845 |
| 7.00 × 4.51 in | 12,510 |
| 7.50 × 4.83 in | 13,958 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
