The mountain waterfall landscape is one of my favourite designs I've done this year, honestly. Up at the top theres a big coral-red circle of a sun, almost perfectly round, filled with soft radial lines like the sun is breathing. Below it the mountain peaks jut up in slate navy with proper shaded ridge lines, then a line of dark pine trees sits in front of the peaks. The whole thing is packed into a loose irregular silhouette shape so it reads like a scene clipped out of a wilderness journal page.
Then the waterfall drops straight down from the base of the forest, and thats where it gets interesting. The upper section is teal blue but as the water falls it bleeds into a warm coral-salmon, matching the sun at the top. So the eye travels from the red sun, past the tree line, through the blue water and lands on that pink cascade at the bottom. Took me a few goes to get the colour transition right in the digitising because theres a tricky blend point where the thread changes would look choppy if you dont sequence them carefully.
If you want a scenic piece that works across a lotta different products this one is pretty versatile. I get steady orders from outdoor gear shops putting this on their staff fleeces and branded tote bags. One customer told me they stitch it on cream linen gift bags for a hiking tour company, kinda as a thank you gift for clients. Looks gorgeous on natural fabrics where the stitch texture shows through.
Try it on cream linen, oatmeal canvas, or charcoal cotton. The coral stands out warm on cool-toned fabric. Pop the 5-inch on a fleece jacket chest pocket or a canvas tote front panel. Skip black fabric because the navy mountain detail gets swallowed. The smallest 2.33-inch doesnt lose the scene on a denim shirt breast pocket, its compact but the sun and peaks still read clearly.
Stitch count ranges from about 14k on the small up to 36k on the full 7.5-inch tall version. Use a tearaway stabiliser on woven linen and canvas, switch to cutaway if youre hooping jersey or fleece. The waterfall sections have layered fill stitches going at slight angles so hoop firm and let the machine run at a steady pace. Send me message if the file plays up on your end.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Outdoor and hiking gear shop staff fleecesStitch 5 inches on an olive fleece jacket pocket for an outdoor gear shop uniform that looks premium at zero cost.
- Eco-brand canvas tote bagsEmbroider on a denim tote panel for an eco or trail-running brand to hand out at sponsored race events.
- Linen gift bags for travel and tour companiesA hiking tour company customer uses the 4-inch on cream linen gift bags as thank-you keepsakes for clients.
- Denim shirt breast pocket embroideryPop the small 2.33-inch on a denim shirt breast pocket and ya get a tiny landscape painting effect that looks intentional.
- Cream cotton cushion covers for cabin decorHoop a cream cotton cushion cover with the 5-inch version for cabin or lodge guest room decor, soft and unfussy.
- Camping and wilderness journal coversEmbroider on the front cover of a hardback journal wrapped in natural cotton for a wilderness-themed gift set.
- Mens flannel shirt chest pocketStitch on the chest panel of a dark flannel shirt for an outdoorsy mans wardrobe piece that tells a story.
- National park gift shop merchandiseNational park visitor shops stock these on canvas pouches and tote bags as local nature souvenirs.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.33 × 3.50 in | 14,140 |
| 2.67 × 4.00 in | 16,385 |
| 3.00 × 4.50 in | 18,961 |
| 3.34 × 5.00 in | 21,704 |
| 3.67 × 5.50 in | 24,399 |
| 4.00 × 6.00 in | 27,185 |
| 4.33 × 6.50 in | 30,165 |
| 4.68 × 7.00 in | 33,217 |
| 5.01 × 7.50 in | 36,152 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
