This oak looks like it grew there. The trunk leans a fraction to the right, not dramatically, just enough to feel like a real tree that had sun on one side longer. Wide at the base with surface roots crawling along the ground, and the bark has angled satin columns showing the vertical grain of the wood. The foliage layers in multiple greens, lighter tones at the outer canopy edge getting progressively darker inside where less light would reach. Small grass tufts at the trunk base anchor it into the ground.
7 colours with 8 changes including 2 different dark green shades, a lighter green and a lime for canopy highlights, dark brown trunk, tan for the bark highlight sections, black for shadow outlines, and sand for the lighter trunk areas. The sequencing runs 9 stops total so it demands attention but youll end up with the most realistic-looking tree in the range.
5 sizes from just under 4 inches up to 8 inches, heights 4 to 8.09 inches. Stitch counts from 35,000 on the small up to 80,544 on the large. Thats a lot of stitches. Use a dense cutaway stabiliser on every size, the density at 1,243 is genuinely high and the layered foliage sections can overwhelm a lighter stabiliser. Check your bobbin at the halfway mark on the 6 and 8 inch versions.
Most of my customers for this one are doing larger decorative projects. A customer told me last year she used the 8 inch for a framed anniversary gift for her parents, their wedding photo got taken under an oak in their garden and she wanted to recreate it in thread. Ive had a few of those special commission stories with this design, its the kind of thing people connect to personally.
Go big with this one, it needs space to breathe. Stitch the 6 or 8 inch on a linen ground for framed art, or on a heavyweight canvas tote. Skip small garment applications where the foliage detail gets lost at under 4 inches. And put a topping on the initial foliage sections if youre working on a napped fabric like fleece.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Large framed botanical wall artThe 8 inch mounted on linen and framed in a deep frame makes a significant wall art piece for a home office or living room.
- Anniversary or heritage keepsake giftsRecreate a meaningful tree from a family property or landmark in thread as a keepsake anniversary or milestone gift.
- Premium tote bag statement pieceCentred on a heavy canvas tote the large version is a statement bag for a nature-obsessed person who wants something different.
- Estate or country home branded merchandiseCountry estates, farms or organic brands can use this on tote bags or cloth wrapping as premium branded packaging.
- Nature photography backdrop embroidered propsA large stitched piece mounted in a deep shadowbox frame works as a decorative prop for outdoor lifestyle photography.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.97 × 4.00 in | 35,013 |
| 4.95 × 4.99 in | 45,634 |
| 5.94 × 6.00 in | 56,244 |
| 6.93 × 6.99 in | 67,534 |
| 8.01 × 8.09 in | 80,544 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
