Two hot pink blooms sit left of centre and two mustard gold ones open up on the right, the four flowers staggered at different heights along a single curving green stem. Two small pink rosebuds sit at the top, one closed and one just starting to open. Seven colours total: the sage-to-forest green for leaves and stems, white highlights tucked inside the mustard petals, hot pink filling the main blooms, pale olive on the underside leaf detail, mustard gold on the secondary flowers, a light wash pink covering the rosebud outers, and a deeper magenta at the rosebud centres. Nine sizes from 3.5 inches wide up to 7.5 inches, stitch counts sitting between 8,476 and 19,969.
Petal direction on the pink blooms goes radially, stitching inward from the outer edge toward the centre so the thread catches the light the same way a real petal does. The mustard flowers use a horizontal satin lay that gives em a more painted feel, almost watercolour-ish. Stems are tight satin column with a green underlay underneath, which is what keeps them from rolling or splitting mid-stitch. 6 colour changes and 56 trims on the middle sizes, so send me message if youre on an older single-needle machine and need colour stops merged.
I love this one on linen tablecloths. A customer used the 5-inch size on a cream linen table runner last spring for a garden party and the result was genuinely gorgeous, the thread colours against natural linen are softer than on white cotton and youre not fighting satin glare. She ordered three more for valentines day gifts after that and honestly its become one of my most reordered designs.
Stitch on white, cream or pale sage cotton or linen for best colour accuracy. Avoid dark fabrics because the pale highlights disappear completely against a dark ground. Use a tearaway stabiliser on stable woven cotton, switch to a medium cutaway on linen to stop the satin fills from tunnelling. Keep the speed down on those pink petals because the fill switches direction at the centre join and a fast machine sometimes skips the underlay at that seam.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen table runners and tableclothsStitch the 5-inch on a cream linen table runner for a spring garden party centrepiece that looks hand-embroidered.
- Spring tea towels and kitchen setsEmbroider the small 3.5-inch twice, mirrored, on a set of white cotton tea towels for a matching kitchen gift set.
- Cotton blouse or shirt yoke embroideryRun the 4-inch on the yoke of a white cotton blouse for a floral detail that sits flat without weighing the fabric down.
- Floral tote bag front panelUse the 5-inch on a natural canvas tote bag front and the botanical spray makes it look like a hand-painted print.
- Bridal or shower gift pouchesPop the small size on a satin or cotton gift pouch for a bridal shower favour that looks genuinely made with care.
- Garden party napkinsStitch pairs on white linen napkins for a garden party table setting, the mustard gold reads beautifully on natural white.
- Bedroom curtain tie-back accentEmbroider the medium size on a curtain tie-back panel for a bedroom window treatment with botanical detail.
- Framed hoop wall art for botanical decorHoop the largest 7.5-inch in a 10-inch frame for a botanical wall piece that sits well in a kitchen or hallway.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.03 in | 8,476 |
| 4.00 × 2.32 in | 9,864 |
| 4.50 × 2.61 in | 11,050 |
| 5.00 × 2.90 in | 12,571 |
| 5.50 × 3.19 in | 13,868 |
| 6.00 × 3.47 in | 15,251 |
| 6.50 × 3.76 in | 16,827 |
| 7.00 × 4.05 in | 18,417 |
| 7.50 × 4.34 in | 19,969 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
