Two tan lace-up boots side by side, real chunky old-school work-boot silhouette with white laces and a thick rubber sole. Out of the boot tops spill four big open roses in a warm coral pink. The petals are layered and you can see the petal creases worked in darker pink satin shading. Green stems and leaves fill the gaps between the blooms and one long leafy stem curves out to the left a bit, giving the whole thing a natural slightly-wild bouquet feel.
9 colours, tallest sizes going to 4.77 by 7.5 inches at 53,591 stitches and smallest at 2.22 by 3.49 inches at 20,014 stitches. The tan suede areas use a dense directional fill that mimics the texture of worn leather. Rose petals sit in satin column fills laid in overlapping rows to build up that three-dimensional petal look. my main digitising tool digitised 9 distinct colour zones cleanly so thread swaps are minimal faff, and dont skip the colour sequence order or the petal shading falls apart.
This ones my favourite to see stitched out on a denim jacket. I get messages from women who embroider it on the back yoke and then add the owners name or initials underneath in chain stitch. One customer last summer had me tweak the size to fit her daughters first denim jacket, 4.5 inches wide. She sent me photos and it looked gorgeous, proper vintage boutique feel, I wasnt suprised it went down well.
Try it on cream linen, denim, pale chambray or white cotton. The tan boot tones need a lighter ground or theyll blend into dark fabric. Stitch on a canvas tote for a craft-market vibe or pop the smaller sizes on a front pocket of a jean jacket. Skip busy florals or printed fabric because the rose fills already carry alot of pattern and layered print-on-print looks muddy.
Dense rose fills and suede texture sections both need a good cutaway stabiliser, especially on denim or canvas which can be unforgiving under the needle. Slow the machine slightly for the satin petal columns. Drop a note if the file size doesnt match what your machine expects, I can export a different format same day.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Denim jacket back yoke or chest embroideryDenim jacket back yoke with the owners name or initials below, the boutique result surprises people who know it was machine-stitched.
- Tote bags for craft fairs and farmers marketsCream linen cushion for a reading chair or garden bench, the coral pink roses against oatmeal fabric is genuinely beautiful.
- Cream linen cushion cover for cottage decorKitchen apron bib pocket for a garden theme, the boots suggest work and the roses suggest something softer.
- Framed hoop art for a vintage or rustic interiorFramed in an oval on cream linen backing for a vintage botanical interior, this one actually suits oval frames well.
- Personalised gift bags for bridesmaidsSmall bridal party gift bags tied with twine, the rustic-romantic palette works without any additional decoration.
- Womens canvas backpack accent patchChambray blouse yoke for a country fashion piece, the scale at 4.5 inches fits the shoulder area without crowding.
- Apron pocket for a garden or kitchen apronCanvas backpack front pocket accent at 4 inches, looks hand-crafted when the fabric takes the colour well.
- Country and western themed apparelMakeup bag front in pale cotton, cottage-core fans who like flowers and old things will get it immediately.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.22 × 3.49 in | 20,014 |
| 2.54 × 4.00 in | 23,381 |
| 2.86 × 4.50 in | 27,051 |
| 3.18 × 5.00 in | 30,610 |
| 3.50 × 5.50 in | 34,793 |
| 3.81 × 6.00 in | 39,193 |
| 4.13 × 6.50 in | 43,765 |
| 4.45 × 7.00 in | 48,629 |
| 4.77 × 7.50 in | 53,591 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
