
Heres the tropical surf scene and its built like a vacation postcard. A tall mustard yellow surfboard stands upright in the centre of the sand, two thick white stripes wrap across its body. Two palm trees lean inward from the left and right edges, theyre framing the surfboard. Behind the board a teal-to-navy ocean rolls in with curling whitecap waves. Above the water a coral and peach sunset spreads, and a warm rust horizon line cuts across the middle.
Ten threads doing colour work here. Mustard yellow holds the surfboard centrepiece. White carries the board stripes and the wave foam. Sage green stacks the palm fronds. Brown handles the palm trunks. Teal and navy build the ocean depth in two layers. Soft peach and coral blend across the sunset sky. Sandy cream sits across the foreground, its the warm beach floor of the scene. Warm rust marks the horizon strip. Honestly its alot of colour for one scene, but the layered blends sing exactly like real beach light.
I drew this for surf-shop merch and beach-house decor mostly, alot of folks have been ordering for vacation rental linen sets. A surf school in florida ordered fifteen reprints for instructors mid-season last march. She emailed pictures the next week, the sunset blends were lookin like watercolour against cream linen. Suprised even me how soft those satin fills came across. People keep buying for surfer dad birthday gifts in june aswell.
Stitch on plain solid pale fabric for cleanest beach read. Pop it on cream linen, oat canvas, sandy beige cotton, soft sage knit or pale denim. The mustard board and coral sunset sing on any of those. Skip patterned cloth here aswell because the layered scene already carries alot of visual texture. Skip dark navy or true black because the teal ocean and navy waves get swallowed completely.
Top stitch count climbs heavy at about 69k stitches on the largest 7.25-inch and 29k on the smallest 3.4-inch panel. Ten colour changes total, dont rush the spool swaps. Plan a slow afternoon. Use a heavy cutaway stabiliser, especially on knits and lightweight cotton. Pop a polymesh topping if youre digitising on terry beach towels, the soft satin blends need underlay support to bloom right. Slow your machine speed during the sunset gradient transitions because the colour butt joints are tight. Big finish. Worth the time. Drop me a note if the colour palette reads muted on warm fabrics.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Beach house guest pillow coversStitch on a cream linen pillow cover and lay it on a beach-house guest bed for that postcard vacation feel
- Surf shop counter bannersEmbroider on a sage canvas banner and hang it across the surf-shop counter wall as front-of-store decor
- Vacation rental linen setsPop the largest 7-inch size on a sandy beige duvet hem for a coastal vacation rental linen package
- Cotton tote bags for the seasideSew on a cream cotton tote bag and gift it to your surfer brother in law for his june birthday
- Surfer dad birthday hoopsHoop a 5-inch version in raw wood and gift it to a surfer dad on fathers day in summer months
- Tropical themed table runnersStitch on cream linen runner cloth and lay it across the dessert table at a tropical themed party
- Cabana cover-up embroideryEmbroider on the corner of a soft cotton beach cover-up and the surfboard scene reads as wearable art
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.38 × 3.49 in | 29,261 |
| 3.87 × 3.99 in | 33,641 |
| 4.35 × 4.49 in | 38,244 |
| 4.83 × 5.00 in | 42,909 |
| 5.32 × 5.49 in | 47,795 |
| 5.80 × 5.99 in | 52,871 |
| 6.28 × 6.49 in | 58,082 |
| 6.76 × 6.99 in | 62,957 |
| 7.25 × 7.50 in | 68,942 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.









