Beautiful Vintage Car Embroidery Design, Instant Download

Beautiful Vintage Car Embroidery Design, Instant Download

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Soon as your payment goes through you get an email with the download link. Files also stay in your account so you can grab them again later. Full download guide.

Terms of Use

Designs may be stitched on items you make for personal use or to sell. The digital file itself stays mine and cant be redistributed. Read full license terms.

Refund Policy

Digital downloads cant be refunded once the file is downloaded. If somethings actually broken with the file I'll fix it though, just message me. Read full refund policy.

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Worked up this vintage car design for people who wanted something a bit romantic and botanical, not just a plain old vehicle. The car is viewed straight on from the front so youre getting the full round face of it, that classic beetle shape with the curved bonnet and round headlights. But the bonnet is completely covered by a huge floral arrangement, big open daisy shapes and botanical leaves spilling over the front of the car in brown and black thread. The car body itself is aqua satin with black outlines, and the windscreen has a crosshatch fill that suggests glass. Its a decorative piece not a technical drawing, if that makes sense.

the digitising software mapped the aqua body panels cleanly so the satin fill stays consistent across the large curved sections. This is a high-density design, 1,825 stitches per square inch, and it shows. The 4.78-inch version comes in at 70,461 stitches, the largest is 6.25 inches wide and hits 97,068 stitches. Youll need a heavy cutaway stabiliser for both, no exceptions. With 333 trims and 4 colour changes across 5 colours, a machine with a reliable trimmer makes a big difference on finishing time. Plan for about 45 minutes on a mid-speed home machine for the larger version.

A customer ordered this earlier this year and put it on a large tote front in natural linen, it looked like a printed botanical illustration, the aqua and brown combination worked really well on undyed fabric. On white canvas the aqua pops more sharply. Avoid dark backgrounds unless you add a white underlay first because the floral details and black outlines on dark fabric are hard to read. The bobbin thread matters here, a good white bobbin keeps the back tidy with this stitch count.

Best on large-format projects: big tote bags, jacket backs, cushion covers, canvas wall panels, or framed hoop art. Youre gonna need at least a 5x7 hoop, the 4x4 wont clear the design. Use firm cutaway backing, keep bobbin tension consistent, and the high stitch count wont pull corners on you.

What people are using this design for

A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.

  • Large canvas tote bags as a centrepiece designThe front-on car shape fills a tote face panel without needing precise placement alignment
  • Cushion covers for botanical or vintage-themed decorAqua and brown palette suits neutral linen or cream cushion fabric naturally
  • Jacket back panels on denim or canvasAt 6.25 inches wide it centres well on a jacket back with room for text above or below
  • hoop wall feature for studio or living room wallThe botanical overlay detail makes this look like printed art when framed in a 10-inch hoop
  • Canvas wall panels for botanical home decorOn raw canvas the floral and car combination reads as a botanical print rather than novelty
  • Wedding or garden party gift itemsThe romantic floral car motif works well on a keepsake bag or wrapped fabric gift
  • Vintage-style market bags and shoppersThe rounded car silhouette and flowers suit a jute or natural-fibre market shopper

Dimensions

3 sizes included. Stitch counts shown for the largest colorway.

Size (in) Stitches
4.78 × 6.51 in 70,461
5.52 × 7.51 in 83,653
6.25 × 8.51 in 97,068

Files & Formats

Eight machine formats included in one zip. Whichever your machine reads, its in the pack.

CND
DST
EXP
HUS
JEF
PES
VP3
XXX

Plus a color chart for thread matching. See full format guide.

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Reyazul Masud Riham, the digitizer behind Re Embroidery
Behind every stitch

About the artist

Reyazul Masud Riham, hand-drawing every design on this site

Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.

That's the joy I work for.

The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.

Read the full story

1Hand-digitizer
7,000+Original designs
3-4Days per design
100%Hand-digitized