Its not a tight closed wreath. The flowers sit in a loose crescent curving from the lower left, swinging up through the right side and opening at the top where a few petals drift free. The open top is what gives it a meadow-gathered feeling rather than the formal florist look, and its the right design choice.
Going round the arrangement youve got lavender spikes on the left side, tiny satin buds sitting in a classic alternating pattern up the stem. Moving across the base are two large daisy-type blooms, pink-white petals radiating out from golden yellow satin centres. On the right sit two blue cornflower heads, darker blue on the outer petals with a brighter blue inner ring and yellow centre stitching. Tucked between everything are small purple poppy buds, a couple of pink cosmos blooms and leaf sprays in two or three shades of green that fill gaps without crowding the flowers. Pick out the scattered loose petals at the top of the crescent, each is just a small satin teardrop shape, maybe 8 of them, some tilted, some upright, floating above the main cluster.
Eight colours total. Density is high at 1,368 stitches per square inch and the biggest size hits 76k stitches, so plan for a long stitch-out. Use firm medium-weight cutaway underneath and slow your needle speed on the dense cornflower fills. Nine sizes from 3.5 by 3.47 up to 7.5 by 7.43 inches.
Cream, white, pale sage, butter yellow and soft lavender fabric all suit it well. Works as a centre placement on cushions, a quilt block, a tote, a round hoop or a sweatshirt front. Avoid dark backgrounds, the scattered petal detail wont carry against navy or charcoal. One customer last summer used it centred on a round quilt block for a baby shower gift, she said it was the one everyone asked about on the table.
Text the shop if a petal fill is reading too dark or too light against your fabric choice and Ill swap the colour for a richer red.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen cushion centre for a cottage or garden-style living roomCentre the large size on a cream or sage linen pillow cover for a living room that has a cottagecore or English garden feel to it
- Tote bag for a gardener or a farmers market regularStitch on a kraft canvas tote and use it as a daily carry for someone who buys cut flowers at the market every Saturday or grows their own
- Round hoop wall art for a bedroom or hallwayMount the large size in a 10 to 12 inch round embroidery hoop and hang it as wall art in a bedroom, hallway or above a sideboard
- Wedding table runner or table linen accentEmbroider on a linen table runner for a spring or summer wedding reception table, the scattered petal detail gives a just-gathered look
- Bridesmaid gift bag personalisationStitch on a cotton drawstring bag and use it as a bridesmaid gift bag filled with small toiletries or wedding morning treats
- Spring sweatshirt front placementPut the large version centred on the front of a plain white or cream sweatshirt for a spring or summer garden-party look
- Quilt block centrepiece for a floral patchworkUse the medium size as a quilt block centre piece surrounded by solid cream and sage squares in a floral patchwork project
- Framed gift for a mother or grandmother with a gardenMake a framed hoop or a cushion cover as a gift for a mother or grandmother who has a proper garden and would actually appreciate this
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 3.47 in | 35,238 |
| 4.00 × 3.96 in | 39,937 |
| 4.50 × 4.46 in | 44,641 |
| 5.00 × 4.95 in | 49,737 |
| 5.50 × 5.45 in | 54,838 |
| 6.00 × 5.94 in | 60,113 |
| 6.50 × 6.44 in | 65,464 |
| 7.00 × 6.93 in | 70,793 |
| 7.50 × 7.43 in | 76,207 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
