The large dense afro covers the whole top half of this front-facing design. Its dense, directional, and fills the frame completely, with small wispy curls scattering out from the edges in an irregular pattern thats clearly hand-digitised rather than a basic fill pattern. Then below the hair sit the glasses, oversized round lenses covering most of the upper face with thick satin outlines and narrow fill bands across each lens to suggest tint.
The face under the sunglasses stays in minimal linework. The nose sits as a small outline, the lips sketch in cleanly, the jaw curves in a simple oval. Its kinda like the afro and those round glasses do all the heavy lifting and the face underneath stays soft so theres no visual clash. That balance is honestly the hardest thing to get right in a single-colour portrait and professional digitising software nailed it here.
Four sizes is the right call for this design, the hair density runs high and squeezing it into a small hoop doesnt work. The smallest comes in at 4.5 inches and at that scale the wispy curl details around the afro edge hold up, which I was suprised by honestly. Last spring a customer ordered the 7-inch size on a flax linen tote and the contrast of the dense black satin against the unbleached fabric was something else.
Best on light fabric where the satin afro has something to contrast against. White cotton, cream canvas, pale linen, soft grey sweatshirt fleece all work well. Skip dark bases unless youre colour-swapping to a light thread. Use a medium-heavy cutaway stabiliser because the afro density needs solid backing. Hoop tight, run underlay passes on the afro first, and let the machine go at a reduced speed on the heavy satin sections to keep bobbin tension even.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Natural hair and afrocentric apparelStitch on a white or cream tee and the dense satin afro reads like a proper graphic print with that hand-made texture
- Black-owned business branded merchandiseWorks on branded merch for black-owned hair or beauty businesses where representation in the design actually matters
- Summer and festival tee collectionsPut it on a festival tank or summer tee and the oversized sunglasses give it that summer-ready attitude
- Canvas tote bags for natural hair brandsA customer ran the 6.5-inch size on natural canvas totes for a natural hair brand and the fill density on white canvas looked incredible
- Empowerment and confidence-themed giftsMakes a strong personalised gift on a tote or sweatshirt for anyone who wears their natural hair big and proud
- Salon and beauty brand uniforms or apronsStitch on salon aprons or staff shirts for a beauty space and it doubles as both uniform and statement piece
- Bold wall hoop art for a living room or salon spaceHoop in a large 8 or 9 inch ring frame for wall art in a salon waiting area or natural-hair styled bedroom
Dimensions
4 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 4.51 × 3.35 in | 10,794 |
| 5.51 × 4.09 in | 14,172 |
| 6.51 × 4.84 in | 17,669 |
| 7.51 × 5.58 in | 21,511 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










