The whole concept of this one is the tree is the words. 3 inch up to 8 inch, the trunk of a stylised oak silhouette gets replaced by six stacked rows of chunky condensed block caps spelling out Black History, Honoring the Past, Inspiring the Future, the letters alternating between Pan-African gold orange and bright red. Green leaves spread across the upper-left canopy in dozens of individual leaf-shape fills, and green root tendrils reach down across the lower-left like the roots of a real oak. Visually it reads as one solid tree silhouette from a metre away, then close up youre seeing a manifesto.
3 colours only. Green leaves and roots stitch first at 2,708 stitches on the 3 inch hoop, then red text fills second at 3,012 stitches, then orange text fills third at 4,611. Total comes to 10,333 stitches on the 3 inch. Scale right up to the 8 inch (worksheet calls it t145 at 7.92 inches tall) and youre at 28,079 stitches with orange alone climbing to 12,675. Thats nearly triple the thread count for less than 3 inches more, which gives you a feel for whats happening density-wise. Five sizes total spanning 3 inches up to nearly 8 inches, so it fits standard 4x4 hoops all the way through 8x8.
Trim count is where this design demands respect. 87 trims on the smallest size, 137 trims on the largest. Thats alot of jump-stitching as the machine moves between individual leaf shapes and between the alternating colour rows of the trunk text. If youre running this on a machine without auto-trim, budget extra time. Hoop with heavy cutaway, use poly mesh topping if your blank has any nap, and stick with 40-weight rayon thread for sheen on the leaves which is what gives the design depth.
One customer reached out around february last year, she was making a hoop-art piece for her aunts retirement gift, an aunt whod taught black studies at a community college for 32 years. She picked the 6 inch size, hooped it in a 7 inch dark walnut stained wood ring on cream linen, then framed the whole thing on the office wall. Sent me a photo, the orange and red text glowed off the cream linen, the green leaves looked like real foliage. proper goosebumps moment.
Best on cream, off-white, natural linen, light grey, or warm caramel cotton. Avoid dark navy or black blanks which kill the orange-red contrast, the green roots get lost too. Skip stretchy jersey unless you use double-layer stabiliser. Pair with a sharp 75/11 needle and clean your hook race after every 3rd run because the dense letter fills shed alot of lint.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- framed hoop art for office walls and home librariesRun the 6-in piece on cream linen and frame it in a 7 inch dark walnut wood hoop as ancestral office art
- heritage centre or museum gift shop tote bagRun the 7 inch on a craft-show tote front using heavy cutaway, sells well at heritage centres or museum gift shops
- family reunion sweatshirt back yoke statement pieceEmbroider the 8 inch on a sage fleece back yoke for family reunion sweatshirts, the green leaves pop on muted fabric
- cream cotton cushion cover or throw pillow frontPop the 5 inch centred on a cream cushion cover with full cutaway support for an ancestral living room throw pillow
- black studies professor retirement gift framed pieceUse the 6 inch on cream linen mounted in walnut hoop ring as a retired-teacher gift for black studies professors
- library tote bag for african american literature collectionsHoop the 7 inch on natural canvas library tote bags for african american literature collection programmes at libraries
- youth group ancestry programme tee front designStitch the 4-in face on a warm caramel cotton youth tee for school ancestry programmes and heritage day events
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.98 × 3.00 in | 10,333 |
| 3.97 × 4.00 in | 13,597 |
| 4.95 × 5.00 in | 17,000 |
| 5.94 × 6.00 in | 20,667 |
| 7.92 × 8.00 in | 28,079 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










