
Heres the black and white sketch floral, a 5.65 inch tall ink-and-wash piece thats kinda just my favourite from the modern botanical set. Three abstract flowers stacked at different heights, the big one up top wide open with all the petals splayed out, theres a closed bud poking out the side and two more bloom heads tucked at the base on tall stems.
What genuinely makes it work are the halftone splashes behind the flowers. Theyre stitched in a dotted grey shadow that mimics watercolour wash without actually needing a second thread colour shift. So you get that gritty modern gallery-print look but the design only uses two colours total, jet black and a halftone grey.
Gonna be honest, last christmas this one took me ages to digitise cause those sketchy lines have to look intentional, not like the machine skipped a stitch. I went back and forth on the line weights probably twenty times before my niece told me to stop fiddling. The lines are mostly running stitch, the petal shadows are a light tatami fill, density stays low at 710 so the big sizes dont pucker.
9 sizes from 2.63 inch up to 5.65 inch wide, stitch counts run between 12k and 30k. Once its on fabric the ink wash sings. Customers been putting this on natural linen tote bags, oatmeal cushion covers, denim jacket backs, that kinda thing. Looks especially nice on raw canvas where the black ink reads warm instead of harsh.
Stitch on natural cotton, oatmeal linen, sand canvas or pale grey twill for the cleanest read. Skip black fabric, the design vanishes. Use a medium tearaway stabiliser, this one doesnt need a heavy cutaway since the fills are sparse. Hoop tight and slow the machine through the halftone dots, those small jumps want clean tension. Lemme know what hoop size you got and ill point ya at the right size.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- linen tote bagsNatural linen tote with flowers running tall up one side, looks like a small studio print drop.
- neutral cushion coversCentered on an oatmeal cushion the halftone splashes give a quiet modern energy without being loud.
- denim jacket back panelsStitch large on a jacket panel back, the sketchy lines feel like ink bleeding into the fabric.
- modern wall art hoopsIn a 10 inch black hoop on a white wall it reads like framed gallery line art.
- boho throw pillowsOn a 16 inch sand-colour pillow the grey halftone wash gives that lived-in boho feel without going twee.
- gallery wrap canvas embroideryStretch raw canvas over a wood frame and hoop the flowers off-centre for a real gallery wall piece.
- minimalist apron pocketsSized to about 4 inches the design fits an apron chest pocket without crowding the seam.
- art studio table runnersOn a natural cotton runner with flowers at each end it ties an art studio dining setup together.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.63 in | 12,099 |
| 4.00 × 3.01 in | 14,069 |
| 4.50 × 3.39 in | 16,088 |
| 4.99 × 3.76 in | 18,143 |
| 5.49 × 4.14 in | 20,460 |
| 5.99 × 4.52 in | 22,644 |
| 6.49 × 4.89 in | 25,029 |
| 6.99 × 5.27 in | 27,537 |
| 7.50 × 5.65 in | 30,077 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.









