I get messages every so often asking for butterfly designs that arent just the butterfly on its own, and last april a customer specifically said she wanted something that felt more personal for a memorial tote she was making. The hand element changes the whole reading of the piece, suddenly its about letting go, or freedom, or something personal, and customers respond to that in a way a plain butterfly outline just doesnt get. Nine sizes, 3,028 stitches at the smallest 2.96-inch width, 7,256 at the largest 6.34 inches, density at 153 per square inch. Light. Fast to stitch.
Because this is open line-art with minimal fill, stabiliser choice actually matters more here than on dense fills. Use a tearaway on woven cottons and a light cutaway on knits, the outline satin lines catch tension pulls on stretchy fabric without a proper stabiliser base. Avoid heavy topping on this one; the fine butterfly wing veins are single-needle run stitches and topping residue can mat them down. Skip the spray adhesive too if you're hooping knits, just use the cutaway flat and tape the edges.
Stitch this on a tote bag for a yoga or wellness brand. Put it on a scarf hem. Use it on a journal cover as a simple accent. The low density means even a hand-quilted cotton square handles it well without puckering, and the quick stitch time, under 10 minutes on most machines at the mid sizes, makes it realistic for small production runs. On lighter fabrics, go with 60wt thread in the outline sections to keep the lines fine and proportionate to the open design. Avoid dark fabrics unless you're contrasting intentionally, the open space reads poorly on black without a fill to anchor the composition.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Canvas tote yoga studio gift5-inch on a canvas tote front; tearaway stabiliser on woven cotton, single-colour 40wt thread for clean line art.
- Scarf hem line art accent3-inch along a scarf hem on lightweight cotton voile; water-soluble full stabiliser sandwich, 60wt fine thread.
- Journal cloth cover embroidery4-inch on a linen journal cover; tearaway stabiliser, 40wt thread in dusty rose or gold to match design palette.
- Hand-quilted cotton hoop art5-inch on a cotton quilt square; tearaway flat underneath, no topping needed on tightly woven quilting cotton.
- Linen napkin corner design3-inch on a linen napkin corner; tearaway stabiliser, cold wash inside-out to preserve fine run-stitch veins.
- Kids t-shirt chest placement3-in piece on a kids cotton t-shirt chest; cutaway stabiliser on jersey knit, no topping needed on smooth cotton.
- Throw pillow cover accent5-inch on a cotton throw pillow cover; tearaway on woven cover fabric, avoid placing near side seams.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.96 × 3.50 in | 3,028 |
| 3.38 × 4.00 in | 3,513 |
| 3.81 × 4.50 in | 3,963 |
| 4.23 × 5.00 in | 4,470 |
| 4.65 × 5.50 in | 4,965 |
| 5.07 × 6.00 in | 5,481 |
| 5.50 × 6.50 in | 6,004 |
| 5.92 × 7.00 in | 6,572 |
| 6.34 × 7.50 in | 7,256 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










