Butterfly and Vine Embroidery Design, Machine Embroidery Pattern, Instant Download

Butterfly and Vine Embroidery Design, Machine Embroidery Pattern, Instant Download

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Soon as your payment goes through you get an email with the download link. Files also stay in your account so you can grab them again later. Full download guide.

Terms of Use

Designs may be stitched on items you make for personal use or to sell. The digital file itself stays mine and cant be redistributed. Read full license terms.

Refund Policy

Digital downloads cant be refunded once the file is downloaded. If somethings actually broken with the file I'll fix it though, just message me. Read full refund policy.

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A single butterfly at the top, purple wings with black outlines and fine white vein lines across the panels, and below it a curving vine drops down with a loose arrangement of flowers: a big pink rose on the left, pale blue hydrangea clusters, small pink cherry blossoms, white daisies, and little green leaf sprigs scattered throughout. The vine carries the design from the butterfly down through the flowers in one continuous sweep, which gives it that tall portrait shape thats really suited to linen aprons and canvas tote bag fronts where you need a design that works vertically.

The density is moderate, around 750 stitches per section, so this one doesnt need the most intensive stabiliser setup but cutaway is still my go-to for anything with stretch and I'd recommend it on denim too since the vine curl sections can pull sideways without a solid base. The purple butterfly wings use directional satin that angles differently on each wing panel so the finished piece has a subtle dimensional quality. Use topping on terry cloth or fleece to keep the finer hydrangea clusters from sinking into the pile.

A buyer last spring put the 6 inch on a natural linen apron front and said it looked like a hand-painted piece from a weekend market. The tall narrow shape also works really well on a canvas tote front panel, particularly if you place it towards one side rather than dead centre for a more editorial look. On lighter cotton quilting fabric the vine reads delicately and the whole thing feels like a proper botanical illustration. Try the 4 inch on a pillow cover corner, letting the vine trail inward from the edge, its a nice unconventional placement.

Drop me a note if the vine registration drifts on yours.

What people are using this design for

A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.

  • Linen tea towelHonestly my favourite spot for this one is a linen tea towel, the vine length fills the bottom edge perfectly.
  • Baby muslin wrapRuns about 2 inches wide on a muslin wrap, small and sweet without competing with the rest of the fabric.
  • Tote bag front pocketThat front canvas tote pocket is a perfect spot for this one, the vertical vine fills it without any awkward gaps.
  • Nursery wall hoopHoop it as a standalone on natural cotton and the blue berries really pop against undyed fabric.
  • Spring quilt borderA quilter friend ran three sizes in alternating directions down a lap-quilt border last spring, looked amazing.
  • Denim jacket back yokeStitch at the 3.5 inch across the back yoke of a denim jacket and the gold reads really warm against the indigo.
  • Cotton pillowcase edgePlace it along the hemline of a cotton pillowcase for something understated and garden-fresh.

Dimensions

5 sizes included. Stitch counts shown for the largest colorway.

Size (in) Stitches
1.80 × 3.50 in 6,793
2.31 × 4.50 in 8,443
2.83 × 5.50 in 10,017
3.34 × 6.50 in 11,649
3.85 × 7.50 in 13,262

Files & Formats

Eight machine formats included in one zip. Whichever your machine reads, its in the pack.

CND
DST
EXP
HUS
JEF
PES
VP3
XXX

Plus a color chart for thread matching. See full format guide.

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Reyazul Masud Riham, the digitizer behind Re Embroidery
Behind every stitch

About the artist

Reyazul Masud Riham, hand-drawing every design on this site

Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.

That's the joy I work for.

The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.

Read the full story

1Hand-digitizer
7,000+Original designs
3-4Days per design
100%Hand-digitized