Worked on this one specifically for fall home decor and its gonna be the kind of design you recognise the second it comes off the machine. A classic 1950s style pickup truck sits centre frame in solid bold red, chrome grille at the front with a teal strip across the windshield. The truck bed is packed full of autumn harvest. Three orange pumpkins stack up in the back, and two big yellow sunflowers with brown centres tower over em.
Around the truck, autumn leaves scatter in every direction. Green ones, amber ones, a couple of deep orange ones, all mid-spin like theyve just blown off a tree. Nine colours total, moving from the bright red body through the warm harvest tones. The pumpkins have curved ridge stitching to show shape, the sunflower petals use long directional satin fills that fan out from the brown centres. Its a lot happening in one frame but it reads cleanly because theres a clear hierarchy, truck first, harvest second, leaves last.
Stitch count runs up to 52,894 on the largest 5.14 by 7.5 inch size, density is 1,372 stitches per square inch, so its a dense commercial piece. Plan for a long run and use heavy cutaway stabiliser. A customer stitched it on a burlap-look cotton last October and said it looked exactly like a printed fabric panel but softer. Digitised in my professional tool so the nine thread colours run in logical sequence and the leaf scatter reads layered, not flat.
Best on cream, natural linen, oatmeal canvas or warm white cotton. Avoid red backgrounds, the truck body disappears. Skip stretchy fabric on a piece this detailed, the pumpkin ridge stitches need a firm stable base. Slow the machine down ten percent on the sunflower satin sections. Hoop firmly or float onto a thick tearaway if your fabric is too stiff to hoop cleanly. Dont rush the chrome grille detail at the front, its a fine running stitch outline and it needs the hoop solid.
Pair it with a simple italic stitch text below for a personalised fall sign look on a canvas tote or table runner. Reach the shop if you need a second colour change order list, I have notes on which thread numbers worked best for this piece.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Fall farmhouse throw pillow coverCentre it on a cream linen throw pillow and add a coordinating orange velvet cushion beside it for a full autumn lounge setup
- Autumn seasonal table runner centrepieceRun it along the centre of a burlap table runner and pair with small pumpkins and candles for a harvest table centrepiece
- Harvest tote bag for October marketsStitch it on a denim tote panel and use it as a farmers market bag through the whole of October and November
- Seasonal kitchen apron front panelPop it on the front bib of a cream cotton apron for a fall kitchen gift alongside a jar of homemade apple butter
- Fall quilt panel or wall hangingUse it as the centrepiece panel in a patchwork fall quilt or stitch it onto a canvas panel and frame it as seasonal wall art
- Canvas tote for a pumpkin patch tripEmbroider onto a plain canvas tote and bring it to a pumpkin patch outing for a seasonal photo prop that doubles as a carry bag
- Autumn wreath fabric centre accentStitch the smaller size on a fabric circle and mount it in the centre of a grapevine wreath for a front door autumn decoration
- Girls fall jacket back embroideryPlace it across the back of a little girls denim jacket for a sweet autumn layering piece she can wear to school in September
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.40 × 3.50 in | 21,562 |
| 3.09 × 4.50 in | 28,332 |
| 3.77 × 5.50 in | 35,879 |
| 4.46 × 6.50 in | 44,014 |
| 5.14 × 7.50 in | 52,894 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
