Round-bodied bird, the kind of silhouette that sits heavy and comfortable on a branch. The feathers on the upper body and wings are a warm tawny brown with directional fills layered to show the individual feather groupings. Those breast feathers transition to russet and amber running down toward the belly, which is cream-white. Small white snow dots scatter across the outer wing edge and the branch surface. The santa hat is red with a white satin trim band and a round pom-pom at the tip that droops slightly to one side. The holly branch carries two deep green leaves and three bright red berries and has a snow dusting on the upper surface.
Eleven colours and a density of 1,117. The large 7.5-inch version reaches 53,040 stitches, the smallest at 3.5 inches sits at 22,728. Use a cutaway stabiliser for anything at or above the 5-inch mark, the feather density on the torso section is substantial and wont sit flat on a light tearaway. The directional satin on the wing coverts runs at alternating angles to build that layered feather look, which is why the stitch count climbs. Add a topping on any napped or textured fabric to keep the hat satin outline and the berry fills crisp. Stitch the branch and body base fills first at medium speed, then slow the machine down slightly for the directional feather work where the most thread packs in.
I get a steady stream of orders for this one from october onwards. Wildlife embroidery customers find it because its not a cartoon, and christmas shoppers find it because the hat signals the season immediately. Last december a boutique seller stitched a run of these on oatmeal linen zip pouches and said they moved faster than anything else she had that year. The bird holds its own as a centrepiece without needing anything else around it.
Oatmeal or natural linen lets both the warm brown feathers and the christmas red hat read properly. White cotton canvas works well aswell. Deep forest green backgrounds emphasise the lighter belly and hat but the branch detail can read dark against dark so test a swatch first. Avoid very dark navy, the warm tawny body tones get muddy against cool dark backgrounds.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Christmas linen zip pouch for boutique holiday giftsOatmeal linen zip pouch at the boutique holiday market, this sells because it looks like wildlife art that happens to be Christmas.
- Holiday tote bag with wildlife christmas themeNatural canvas tote as a birdwatcher Christmas gift, she'll carry it to the nature reserve in February and no one will question it.
- Christmas table runner panel embroideryLinen table runner centrepiece at the 7.5-inch, one end with this bird, the other end plain, the table needs nothing else.
- Festive cushion cover in natural linen for mantelpieceMantelpiece linen cushion at the 6-inch that actually stays out past December because the bird is just genuinely beautiful.
- Gift bag for birdwatcher christmas presentCanvas gift bag for a birder, they'll use it as a project bag for the other eleven months so the gift is still useful in October.
- Christmas stocking cuff on cream feltFelt stocking cuff at chest size, the naturalist detail is the thing people lean in to see when they notice it from across the room.
- Holiday apron for nature loversChristmas kitchen apron for the nature lover who owns every generic version, the bird on the pocket changes the whole feel.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.95 in | 22,728 |
| 4.50 × 3.80 in | 29,623 |
| 5.50 × 4.64 in | 36,891 |
| 6.50 × 5.48 in | 44,612 |
| 7.50 × 6.33 in | 53,040 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










