Heres whats going on in this cluster. Theres a large sunflower-type bloom dominating the left side, its long pointed petals spreading wide in burnt orange. Each petal is stitched along its natural direction so the fill radiates outward from the centre the way actual sunflower petals do. Tucked in beside it and pushing slightly forward is a rounder, deeper red bloom with cupped petals, more poppy-like or garden anemone, and the darker saturation keeps it from disappearing behind the orange. Nestled in the gap between them sit small accent buds and those fine black berry sprig stems reaching up above the canopy.
Five colours, 5 stops. Foliage base goes down first, then burnt orange, then red, then pale orange filler buds, then black last for the outline and centre work. I ran this through professional digitising software, so the thread order is properly mapped and theres no bobbin chasing between adjacent sections. At 7 inches youre near 21,500 stitches, which is dense but thats what fully filled blooms at that scale look like.
A customer who sells at weekend markets pinged me last spring after running the 5-in run on a kraft canvas tote. Said the burnt orange and cherry red sitting against the raw ground looked warmer than they expected. Run medium-weight cutaway mesh beneath canvas or denim. Keep the hoop firm, the longer orange petals will ridge if theres slack in the base. Skip chiffon or voile, this design needs a fabric with actual body behind the needle.
Message me if your machine brand needs the colour stops in a different order and Ill sort it.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Canvas tote bag statement panelStitch at 5-7 inch on the front panel of a canvas tote and the orange and red bloom combination reads bold against natural or white canvas
- Denim jacket back or chest patchWorks on the denim jacket back placement where you need something with visual weight to fill the space without a full back piece
- Throw pillow cushion cover centrepieceCentre it on a throw cushion in cream or charcoal linen and the warm colour palette makes it work across most interior colour schemes
- Wall hoop art for a living room or kitchenFrame in a 10-inch hoop with cream linen and hang in a kitchen or living room as a botanical wall piece
- Cotton apron front decorative panelStitch on the chest panel of a natural canvas apron in the full 7-inch run for a garden-market seller look
- Craft fair tote or market bagSmaller 3-4 inch size works on market bag faces where you want colour but dont need the full cluster at full scale
- Floral quilt block accentUse as a standalone quilt block centre in a linen or cotton panel surrounded by solid fabric squares
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.00 × 1.92 in | 8,194 |
| 4.00 × 2.56 in | 11,089 |
| 5.00 × 3.20 in | 14,207 |
| 6.00 × 3.84 in | 17,702 |
| 7.00 × 4.48 in | 21,511 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
