Honestly the thing I like most about this one is how the two techniques sit together. The petals are full satin fill, nice and dense, while the stems and lil leaf sprigs are just fine running-stitch outlines. That contrast is what makes it feel handpicked-from-a-field rather than stiff and clipart-y. Six daisies scattered at different heights, some larger, some smaller, like they actually grew that way. White petals with cream shadow tones, golden-yellow corded centres, forest green stems. Simple colour count but it reads really well against coloured fabric.
I digitised this in five sizes from 3.5 inches wide up to 7.5 inches wide, stitch counts running from around 5,000 up to just over 10,000 at the largest. That density of 229 stitches per square centimetre hits a sweet spot for the petals, they lay flat without puckering. Use a cutaway stabiliser on cotton or linen, dont skip it even on stable weaves, the petal fill sections need that backing or they wont hold their shape after a few washes. On denim or canvas you can get away with a lighter tearaway but cutaway is my preference here.
A buyer at my local craft fair last week ordered a custom run of tea towels using this design, she stitches the 6-inch version across the corner of cream linen and they look like something youd pay thirty quid for in a boutique. Pair it with a warm cream or sage background fabric and the white petals pop. On white fabric itself its a bit flat, so I usually recommend a light coloured base or a coloured thread swap on the petals if you want more contrast.
Center it on a 5x7 hoop for the mid-range size, or use the 3.5-inch on babywear and onesies. Hoop your stabiliser slightly tighter than you think you need to on stretchy jersey fabrics, the satin sections will pull the grain if theres any give. Iron the piece from the back through a pressing cloth after stitching, that tatami effect on the centres can flatten out beautifully with a bit of steam.
Drop me a line and I usually get back same day.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen kitchen tea towelHonestly my favourite spot for this one is cream linen tea towels, the forest green stems look stunning against natural fabric.
- Baby onesie corner placementNeeds a cutaway on stretchy cotton onesies but worth it, the 3.5-inch size sits perfectly on that tiny chest panel.
- Tote bag front panelA buyer put this on her farmers market tote in sage canvas and sold out of the run in two weekends.
- Quilting hoop wall artStitch the largest 7.5-inch version into an 8x10 wooden hoop and it makes a really lovely piece for a nursery wall.
- Denim jacket back yokePop it across the back yoke of a denim jacket using the mid-size and pair it with white thread swapped petals for extra punch.
- Canvas apron bibUse the 5-inch on an apron bib with a cutaway backing and it holds up fine through regular washing.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.74 in | 5,055 |
| 4.50 × 3.52 in | 6,247 |
| 5.50 × 4.30 in | 7,482 |
| 6.50 × 5.08 in | 8,724 |
| 7.50 × 5.86 in | 10,080 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
