Its a dandelion drawn the way you actually see one in a field. The main stem curves upward on the right side, thick and solid, with two or three more stems fanning out at angles below it. The seed head at the top is full and round with those tiny umbrella shapes radiating out from the centre, each one drawn with a fine radiating stitch cluster. And then the loose seeds float off to the left on long curved lines, drifting like they caught a breeze. Single black thread. Thats the whole design.
I digitised this last september for a jewellery maker I know who wanted something for linen pouches she sells at markets. She stitches it at the 8-inch size on natural cream linen and the result is honestly stunning on that fabric. The density is low at around 10,596 stitches on the smaller size so it sits flat and delicate rather than stiff. professional digitising software kept the line quality clean through the floating seed stems, which are the part that trips up lesser digitising software.
But this also works beautifully for people doing tote bags, tea towels, cushion covers, framed hoop art. I get orders from botanical illustrators who want to reproduce that pressed-flower sketchbook look without hand stitching the whole thing. Pop the 10-inch on a 16-oz cotton tote and ya practically get a botanical print.
Pop polymesh stabiliser beneath your hoop when working woven fabrics like linen, cotton twill or canvas. The stitching is alot lighter than most designs so it doesnt need heavy backing. Skip cutaway for this one unless youre hooping jersey, it'll leave a visible shadow through the fabric at the seed ends. Keep your tension slightly looser than normal so the fine lines dont pull and pucker.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen market pouches and gift bagsStitch on natural linen at 8 inches for market pouches that hold jewellery or dried herb sachets.
- Botanical wall hoop framed artHoop in a 10-inch wooden ring and hang as minimal botanical wall art above a desk or beside a bed.
- Natural canvas tote bagsRun the 10-inch size on cream canvas for a tote that looks like a hand-illustrated botanical print.
- Tea towels and kitchen linenEmbroider at centre of a white linen tea towel for a clean Scandinavian kitchen look.
- Cushion covers in cream or oatmeal cottonCentre the 8-inch on an oatmeal cushion cover, pairs well with sage or dusty rose pillow groupings.
- Bridal or bridesmaid favour bagsStitch on small organza or linen favour bags for wedding table settings or bridesmaid gifts.
- Pressed-flower sketchbook style journalsSew onto the cover of a hardback fabric journal for a naturalist sketchbook feel.
- Wildflower shop packaging and wrapping clothUse on cloth wrapping squares or small cotton bags for a wildflower boutique or florist shop.
Dimensions
3 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 5.71 × 8.00 in | 10,596 |
| 6.43 × 9.00 in | 11,632 |
| 7.14 × 10.00 in | 12,751 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










