Its a woman in profile, face turned gently to the left, eyes closed, looking completely at peace. The face and neck are drawn in a clean black contour line with no fill, so the fabric underneath shows through. Her hair is this big dark updo packed with satin stitch, sitting heavy and rich, and tucked into it are a cluster of hot-pink flowers with tiny white dot centres. Then from the lower half of the figure, dark stems with charcoal satin leaves curl upward and several more pink blooms grow out around her shoulders and chest. Coral red lips are the only pop of warm colour on the face. 3 colours plus those white centres is all it takes to make this look realy complete.
I made this one because I kept getting requests for something feminine and botanical that wasnt just a wreath or a bouquet. A friend of mine who runs a handmade gifting business ordered five sizes worth of samples on muslin last year to test placement and she said at four inches it sits perfect on a linen tote panel or a denim shirt pocket. Stitch out at a 695 density so theres alot of fine definition in the petals without the satin buckling. Use a cutaway stabiliser on jersey or fleece, and topping film helps keep the outline crisp if the fabric has any nap to it.
Hoop it centred on whatever youre stitching. Skip the tear-away on knits, it just pulls the underlay apart. Try the larger size on canvas pouches or framed hoop art, the directional satin on the hair really reads well at scale. Add it to a tote bag panel before assembly so the seam allowance doesnt fight you. Iron a piece of interfacing behind lightweight cotton before hooping, the bobbin tension will thank you.
Shoot me a message if your format isnt in the pack.
Drop me a note if you need a different file type and I will sort it out.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen tote bagFront panel of a linen tote, stitched in at four inches before the bag gets assembled.
- Denim shirt pocketA pocket placement works well here, the face faces outward and the flowers sit just below the flap.
- Framed hoop artFrame it at the largest size on ivory cotton, the open line-art lets the fabric be part of the piece.
- Canvas zip pouchCanvas zip pouches hoop flat and the black outline reads sharply against natural or blush fabric.
- Baby girl nursery decorGirls room decor is a big one for this, a few buyers have used it on a cream fleece wall piece.
- Pillowcase centre panelA white cotton pillowcase works beautifully, the stems trail down toward the lower hem.
- Hair salon apronApron bib placement, stitched on twill, holds up through washing better than you'd expect.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 1.99 × 3.50 in | 8,928 |
| 2.56 × 4.50 in | 11,705 |
| 3.13 × 5.50 in | 14,931 |
| 3.70 × 6.50 in | 18,472 |
| 4.26 × 7.50 in | 22,219 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










