Two big orange pumpkins sit side by side at the bottom, each one full of directional satin ribs running down the lobes, proper detail work, not flat patches. Green leaf sprigs and a few curling tendrils sit between them and poke out from each side. Above the pumpkins, "Farmers" sits in a flowing dark crimson script, then "Market" comes in below it in chunky bold block letters in bright pink. And "Pumpkins" finishes at the base in a matching orange script that ties back to the pumpkin colour. Its 4 colours and 3 colour changes total, so the thread swaps are manageable even on a single-needle machine.
The stitch count on the biggest 7-inch size is 24,409, which is the densest of the 5 sizes, and most of that density lives in the satin pumpkin fills and the Market block slab. At 3 inches its 8,510. The underlay on the orange pumpkin bodies is whats keeping the ribs flat, dont skip it. Use cutaway stabiliser on everything here, the density at 584 is high enough that tearaway can pop off mid-stitch on a heavier cotton twill. Mesh cutaway works best, its what I'd reach for first.
My customers for this one are actual market vendors. Not people pretending to be rustic, actual women who set up stalls at saturday markets and want their aprons and totes to match their brand. One vendor who sells jams and pickles ordered the 5-inch on 12 cream canvas aprons last september. That pink Market text on cream was suprisingly striking in person, way more so than in the preview image. A bunch of her regulars asked her about it on the day. Shes reordered twice since.
Go pale with the base fabric so all 4 thread colours show clean. Cream canvas, natural linen, oatmeal cotton twill. Skip mid-tone fabrics like tan or rust because the orange pumpkins blend in and youll lose half the design. That bold pink block sits loudest on an off-white or cream ground. Try the 4-inch on a canvas apron pocket or a zip pouch front for a smaller gift use. The big 7-inch anchors a full tote front panel or a cotton flour-sack towel with room to spare. Float stitch at a medium speed on the pumpkin rib sections to keep the directional underlay from compressing under the top fill passes.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Farmers market vendor canvas apronsStitch a 5-in run on cream canvas aprons for a jam or pickle vendor, the hot pink Market line reads well across a market stall.
- Cream tote bags for a market stall displayPop the 7-inch on a natural linen tote and prop it against a wooden crate full of gourds on the stall front table.
- Autumn vendor gift sets and welcome bagsEmbroider the 4-inch on a canvas gift bag and fill it with seasonal goodies for loyal customers as a market-day thank you.
- Flour-sack kitchen towels for a country kitchenRun the 6-inch on a cream flour-sack towel for a kitchen with a country or farmhouse aesthetic, hangs beautifully near the range.
- Canvas zip pouches for autumn fair craftersStitch the 3-inch on a canvas zip pouch for an autumn craft fair vendor to sell as a ready-made seasonal gift item.
- Seasonal front-door wreath centrepiece patchCut a canvas backing, hoop the 5-inch centred, then tack it onto a grapevine front-door wreath as a fabric focal point. Works really well.
- Jam and preserves vendor packaging insertsIron a heat-bond backing onto the 4-inch embroidered canvas square and attach it to a paper bag insert for a preserves or baked-goods vendor.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.00 × 2.56 in | 8,510 |
| 4.00 × 3.41 in | 11,806 |
| 5.00 × 4.27 in | 15,583 |
| 6.00 × 5.12 in | 19,750 |
| 7.00 × 5.97 in | 24,409 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
