The tree here isnt made of branches, its made of letters, and it comes in 5 sizes from 3.3 inches up to 7 inches square. Merry sits across the upper section in a flowing cursive and Bright fills the lower half in the same hand, both words curving to fill the triangle of a tree outline. A single black cord runs the perimeter of the whole shape, swooping from the base up both sides to a point at the top where a solid red five-pointed star sits as the topper. Individual light bulbs branch off the cord at intervals, round green ones and round red ones plus a few teardrop-shaped yellow-gold ones. Small black and red star shapes and circle dots scatter loosely around the outer edges like ornaments drifting off a branch.
The script lettering is a satin running stitch, not a filled block, so it has a slim hand-drawn line quality rather than chunky filled text. The cord is a matching black running line, heavier weight than the letters. Each bulb is a separate small filled satin shape, the round ones are tiny solid ovals and the teardrops have a slight elongated base. Four colours in the whole file, which keeps this one clean and fast. At only 19k stitches on the 7-inch size its one of the lighter stitch loads in this range.
Sizes run from 3.3 by 3.5 inches up to 7.07 by 7.51. The square-ish aspect ratio is unusual for a tree and actually makes it flexible for spots like cushion faces, tote front panels or square gift boxes. A customer had the 5-inch centred on a set of cream linen napkins for a December table setting and said her guests thought they were from a boutique stationery shop.
Because the lettering is a running stitch rather than a fill, any slippage in the hoop shows immediately as a wavy letter stroke. Hoop very firmly on a medium tearaway for woven fabrics. For knits use a cutaway and go slow on the outer cord sections where the stitch path doubles back on itself. Four colours means only three colour changes in the full run, so this goes onto the machine and practically stitches itself once its set up right. Keep your presser foot speed down on the cord perimeter sections. Skip dark fabrics for this one, the black cord and the dark background will fight each other and the bulbs wont read properly. Message me with your hoop dimensions if youre working a square frame and Ill take a look at the file.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen dinner napkins for a December table settingStitch the 4-inch piece on a set of cream linen napkins so each place setting gets a matching piece for a December dinner
- Tote bag for carrying wrapped gifts or wine bottlesPut the 5-inch on a duck-cloth tote front for carrying bottles or wrapped presents through December
- Cushion face on a square throw pillowCentre the large size on a square cream corduroy pillow and pull it out each year for a seasonal cushion swap
- Sweatshirt chest for a subtle script lookPlace the 4-inch on a grey sweatshirt chest for something that reads as considered rather than novelty
- Canvas pouch for a stationery or skincare gift setStitch onto a zippered canvas pouch so the bag itself is part of the gift for a skincare or jewellery set
- Table runner centre motifRun the wide size along the centre of a cream linen table runner between two candlesticks as a centrepiece detail
- Fabric gift wrap reusable panelEmbroider on flat cotton and use it as a reusable fabric wrapping panel tied with a ribbon instead of paper
- Hoop art for a mantelpiece or entry shelfStretch the large size in a 9-inch hoop and stand it on a shelf as a piece of seasonal typography art
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.30 × 3.50 in | 9,660 |
| 4.24 × 4.51 in | 12,040 |
| 5.18 × 5.51 in | 14,535 |
| 6.12 × 6.51 in | 17,005 |
| 7.07 × 7.51 in | 19,581 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










