Sketched this tiger out as a pure face shot, no body, no background, just the head filling the hoop. The fur is built up in these overlapping directional satin sections that flow from the centre outward, tangerine at the cheeks and forehead, chocolate brown for the stripe markings, sandy cream around the muzzle area. The eyes are this dark garnet red, which shouldnt work but it does, gives the whole thing a kind of intensity that a normal amber wouldnt. And the whiskers run way past the face edge in thin white radiating lines.
Plotted in Wilcom EmbroideryStudio. The fur direction comes out varied because each section stitches the opposite way to the one next to it, so the final piece actually catches the light differently depending on the angle. Theres 8 colours total and 7 colour changes. The density sits at 699 across most sections, its a bit lower on the muzzle where the satin columns get longer. Use a heavy cutaway stabiliser, dont attempt this on jersey or thin cotton without it. Stitch it slow on the facial fur sections, youll get better colour separation between the orange and brown bands at reduced speed.
4 sizes from 4.50 x 3.84 inches up to 7.50 x 6.39 inches, stitch counts from 19,514 to 33,500. Avoid thin jersey without proper backing, it wont hold the density. Pick a stiff woven fabric like canvas or heavy cotton twill and youll be fine. Add a tearaway on top of your cutaway if youre stitching onto a bag with interfacing already in it. The kraft canvas tote is where I see this used the most, and it looks great there because the texture adds to the roughness of the tiger.
christmas or halloween themes aside, this tiger works year round as a wildlife statement design. A customer wanted it on a sports bag in the school colours with the tiger as a mascot, and the brown-orange palette swapped out clean. Email me if you need help thinking through a colour substitution for something like that.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Wildlife statement tote bag or backpackStitch the large size centred on a kraft or natural canvas tote for a bold wildlife carry bag.
- Sports team mascot design on kit bagsUse the medium size on a sports holdall or backpack panel as a team mascot graphic.
- Denim jacket back panelHoop a denim jacket back with the largest size using heavy cutaway for a standout piece.
- Canvas sneaker side panel embroideryThe smaller sizes work on canvas sneaker side panels with a firm stabiliser behind the fabric.
- hoop-mounted feature for a teen bedroomMount the medium on natural linen stretched over a hoop frame for wall art in a teen or study room.
- Gym bag or duffle embroidered panelStitch the largest on a heavy canvas duffle side panel for a gym bag with real presence.
- Cap front or snapback embroideryUse the small size on a structured snapback front panel with woven cutaway backing.
Dimensions
4 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 4.50 × 3.84 in | 19,514 |
| 5.50 × 4.69 in | 24,117 |
| 6.50 × 5.53 in | 28,891 |
| 7.50 × 6.39 in | 33,500 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










