This floral skull design took me the longest to digitise out of all the halloween stuff I made last year, getting ten colours to layer cleanly inside a 2.78 x 3.5 inch space without colour bleed or registration drift is genuinely tricky work. Wilcom handles the underlay sequencing well but you still have to think through which floral elements stitch before others so the overlaps read right. The result is 13,441 stitches at a density of 214, which gives those rose fills a really thick, almost velvet-y quality when they stitch out on the right fabric.
Use a medium-to-firm cutaway stabiliser on this one, I wouldnt go tearaway because the skull base and the floral fills have alot of directional satin sections that need the backing to stay put through the full stitch sequence. Hoop firmly, no slack, especially on the first colour pass which lays down the initial foundation shape. If youre stitching on denim or heavy canvas, add a water-soluble topping so the finer petal details dont get swallowed by the weave texture. Avoid anything below a 5.5-ounce fabric weight or the ten-colour thread density will pull it in.
I had a customer email me last november saying shed entered a halloween costume contest wearing a jean jacket with this stitched on the back, and she came second. She was alittle disappointed about second place but honestly, competing against a full bodysuit costume with this on a jacket is pretty impressive. The skull reads as day of the dead crossed with botanical illustration, not just basic halloween, which is why it works on stuff people actually wear past october.
Stitch on black denim, a heavy cotton canvas, or a dark ponte for the most impact. Email me if you run into any colour sequencing questions and Ill walk you through the thread order.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Denim jacket back panelback panel design for a day of the dead halloween event where someone wants to win the costume contest with a jacket, not a full suit.
- Halloween tote bag statement pieceDark canvas tote bag front for someone who carries this bag to markets and wants people to ask about it, which they will.
- Boho cap front embroideryFestival outfit vest left chest panel, the tall portrait format fills the shirt-pocket zone of a waxed canvas vest exactly.
- Day of the Dead altar cloth accentGothic pillow centrepiece on a deep burgundy or dark teal velvet cover, the floral layers look like they belong on furniture.
- Goth-style canvas sneaker patchStructured cap front for a day of the dead altar display piece rather than a wearable, caps display upright naturally.
- Dark cotton throw pillow centreLeather diary cover for gothic journalling, the 10-colour layered florals look particularly rich embossed into a textured leather cover.
- Festival outfit vest frontCanvas sneaker side panel patch, stitch on a pre-cut canvas piece and attach to the shoe as a removable seasonal accent.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.78 × 3.50 in | 13,441 |
| 3.57 × 4.50 in | 19,067 |
| 4.36 × 5.50 in | 25,874 |
| 5.16 × 6.50 in | 33,655 |
| 5.95 × 7.50 in | 42,277 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










