The woman's body is drawn as one flowing line with no fill at all, just the outline. But the flowers covering her head are fully stitched out in big bold satin, orange pansies, pink pansies, a bright yellow one, green leaves spreading out to the sides. A large pink pansy sits detached to the lower left like its fallen from the arrangement. The only coloured detail on the face itself is the red lips, theres no eyes, no nose, just a closed-lipped smile. Really unusual combo of detailed botanicals against that bare line-art figure.
Ten colour changes but honestly the thread swaps feel worth it. Each pansy gets its own satin column work, the petals have subtle directional stitching to suggest the real petal veining you see on actual pansies. The green stems use a tight underlay before the fill, which is what keeps them from puckering on lighter fabrics. At 24k stitches on the largest 7.5-inch size this is a medium-density file, not too heavy for cotton or light canvas.
I get a lot of orders for this one from women who do fashion custom pieces. Tote bags, denim jackets, silk scarves (use water-soluble topping on silk aswell), lightweight linen shirts. One customer stitched this on the back panel of a white linen blazer last spring and its probably my favourite thing anyone has made with my files. Looked completely editorial, like something from a magazine shoot.
Avoid very dark backgrounds because the thin line-art body disappears. Cream, white, oatmeal linen or soft sage cotton all work beautifully. Use a light tearaway on stable woven fabrics. For denim or thick canvas, a medium cutaway underneath keeps the satin fills from sinking. Keep your bobbin tension balanced because those long satin columns on the big orange pansies need clean underside coverage.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Denim jacket back-panel art pieceWhite linen blazer back panel at the 7.5-inch, a customer stitched this last spring and it looked like something from a magazine shoot.
- White linen shirt or blazer accentLight denim shirt chest panel at the medium size, subtle enough to wear every day but the pansy crown stops people.
- Canvas tote botanical fashion giftSilk scarf centre with water-soluble topping at the smaller size, the line-art body floats against the fabric almost invisibly.
- Silk scarf personalisation centreCream canvas tote at the 5-inch for a botanical fashion gift, suits anyone who thinks of their bag as a standout piece.
- Cotton tea towel botanical print styleDenim jacket back panel at the large size, the contrast between the bare contour figure and the filled pansies is exactly what makes it work.
- Ladies fashion apron statement pieceLadies fashion apron at the medium size for a craft or cooking event where the look is part of the whole thing.
- Hand-stitched look wall art hoopBedroom wall hoop at 9 inches framed in light wood, reads as botanical art rather than craft project when the frame is right.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.16 in | 9,594 |
| 4.50 × 2.78 in | 12,681 |
| 5.50 × 3.40 in | 15,980 |
| 6.50 × 4.02 in | 19,880 |
| 7.50 × 4.64 in | 23,992 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










