This took a few goes to get the trunk lettering sitting right. The idea was a proper illustrated tree, not just a symbol, with the word FRESH running up the inside of the trunk in white so it reads as part of the shape rather than stuck on top of it.
The pine itself is a layered shape in a fresh bright green, proper classic christmas-tree colour, tiers of branches with a scalloped edge on each level and a solid black star at the tip. The F-R-E-S-H letters go up the centre column in white fill against the green so theyre integrated into the trunk rather than floating over it. Below the base, 'Christmas' curves in a red satin arc following the width of the lower branches, and 'Trees' sits below that in big chunky black block capitals. Its a lot going on but it holds together because the hierarchy is clear. Stitch order matters here: green tree runs first, then red, then black.
Highest stitch count in this batch. At the 7.51 x 2.78 in largest hoop youre looking at 13,750 stitches with a density of 659. Use firm cutaway stabiliser, no shortcuts on this one. The green fill is dense enough that running it on loosely woven fabric without proper backing will pull the underlay through. Smallest size at 3.51 x 1.30 in runs 5,593 stitches, still substantial for the scale. Wilcom EmbroideryStudio digitising with directional underlay on the pine fill and satin on the text sections. Add topping on any textured fabric or the branch tiers lose their clean scalloped definition.
This one is really for tree farm totes, christmas market vendor aprons, or holiday craft stalls where a proper pine illustration reads better than generic word art. One customer wanted running 5.51 across an apron pocket for their family tree farm stall, it was suprised how cleanly the layered green fills held their edges on that thick cotton. Text me if something looks off in the file and Ill go through it with you.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Tree farm tote bag or canvas market bagThe illustrated pine tree reads clearly even on rough canvas used at outdoor markets
- Christmas market vendor apron or seller badgeThe full composition fills an apron bib neatly at the 6.51-inch size
- Holiday kitchen towel with tree farm themeKitchen towels in natural linen show off the layered green fills really well
- Seasonal sweatshirt or zip hoodie chest panelThe top size 7.51 hoops on most standard sweatshirt chest panels without repositioning
- Christmas tree skirt or fabric tree base coverScaled to 5.51 in it works on a tree skirt panel without overwhelming the fabric
- Gift bags for handmade tree ornaments or wreathsThe tree star at the top makes this a natural fit for ornament-packaging gift bags
- Fabric banner for a tree farm stand or seasonal stallThe tall proportions suit a fabric banner hung vertically at a Christmas stall
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.51 × 1.30 in | 5,593 |
| 4.51 × 1.67 in | 7,399 |
| 5.51 × 2.04 in | 9,350 |
| 6.51 × 2.41 in | 11,363 |
| 7.51 × 2.78 in | 13,750 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










