A goose, wearing a crown, minding its business. The body is mostly white with soft grey shading along the wing edges and the underside that give it actual depth rather than just being a flat white blob. The orange beak and orange feet are the only warm notes on the bird itself. Then sitting on its head is this lil gold crown, satin-stitched in proper gold thread with the classic three-point tips. And wrapped round the neck is a long crimson scarf with fringed tassels at both ends trailing out to the right. The scarf fills with small directional stitch rows that give it a woven texture you can really feel.
Nine colours in total, eight colour changes. Sizes run from 3.5 inches wide up to 7.5 inches wide, nine sizes all up. At the biggest size ya get about 25k stitches which is actually not that dense for a design this detailed, the Wilcom digitising kept density at 647 so the lighter fills breathe well and dont pucker light fabric. I get messages from people who are obsessed with the untitled goose game and people who just think a crowned goose is perfect for their particular friend group, send me message if youre not sure which size to pick.
My friend ordered this last october for a tea-towel set she gave as a housewarming gift. She stitched three of them on natural linen and said the gold crown colour alone made the whole thing worth it. Thats the detail that does it, that small golden headpiece is the first thing people notice.
Stitch it on white linen, cream cotton or light grey fabric and the grey shading on the wings still reads because theres enough contrast with the body white. Skip white-on-white here or the bird disappears. That crown-and-scarf combo pops off almost any neutral, so cream, sage, navy, oatmeal canvas all work well. Use a tearaway stabiliser on woven cotton, switch to cutaway if youre hooping jersey or any stretch fabric. Pop the 7.5-inch on a canvas tote or linen cushion, use the smaller 3.5-inch on a pocket or hat brim where you want something subtle but unmistakably goose.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen cushion cover for a farmhouse sitting roomStitch the 7-inch on a natural linen cushion cover and centre the goose so the scarf trails toward the right edge for a composed look.
- Canvas tote bag with a regal countryside lookEmbroider the 6-inch on a cream canvas tote and ya get a farmers-market bag that makes people stop and ask about it.
- Funny gift for a goose-obsessed friendUse the mid-size on a white cotton tee as a gift for a friend who thinks they are, in fact, royalty.
- Kitchen tea towel or linen apronPop the 5-inch onto a linen tea towel or a half-apron pocket for kitchen decor that has actual personality.
- Cream cotton tee front graphicStitch the 4-inch on a cream cotton tee front and the gold crown sits right at chest height without overpowering the shirt.
- Nursery hoop art for a farm-themed roomHoop the 3.5-inch in a 6-inch wooden frame and hang it in a farm-themed nursery as a cheerful bird art piece.
- Hat brim or cap front logoAdd the small 3.5-inch to a baseball cap brim or front panel and the goose reads surprisingly well at that scale.
- Personalised tote for a countryside wedding favourEmbroider the 5-inch on a linen bag as a countryside wedding favour that guests will actually use after the event.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.48 in | 8,787 |
| 4.00 × 2.83 in | 10,371 |
| 4.50 × 3.18 in | 11,985 |
| 5.00 × 3.54 in | 13,804 |
| 5.50 × 3.89 in | 15,513 |
| 6.00 × 4.25 in | 17,361 |
| 6.50 × 4.60 in | 19,186 |
| 7.00 × 4.95 in | 22,872 |
| 7.50 × 5.31 in | 25,752 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
