The skull faces forward, dead centre, wide grin showing the teeth, and a crescent moon sits up on the crown with curling vine spirals either side of it like a crown. One red rose on the left, one on the right, both fully open blooms with green leaves fanned out below em. And sitting right across the skulls forehead is a monarch butterfly, wings open, orange and black, its the only warm colour in the whole piece. At the bottom, two black leaf shapes point downward and close out the composition.
6 colours, 5 colour changes, and the dominant one is black. Big black. 21,000-plus stitches in black alone on the mid size which is why the outlines look so crisp and engraved. The bone area stitches in white and grey with fine cross-hatch underlay to give it some dimension rather than a flat patch. Red rose fills are satin columns running lengthwise through each petal. Stitch count hits 68k running the largest size, 28k on the smallest. And the design is 9 sizes from 3.44 inches up to 7.37 inches wide.
Alot of people grab this for custom apparel and jacket work. Its got the traditional tattoo flash look that works on black denim or canvas without needing explanation. I sell this one mostly to people doing gothic bridal merch, halloween apparel and alternative fashion shops. But honestly it works on any dark-background piece where you want something with some edge to it. Its versatile in that niche, Its a design that doesnt need context.
Run it on black, charcoal or dark navy. The white skull area and red roses sing hard on those backgrounds and the green leaves separate cleanly. Skip light backgrounds because the composition is built around those heavy black fills and they look flat on cream or white fabric.
Cutaway stabiliser underneath, mesh or standard depending on your fabric weight. Hoop firm and run at moderate speed especially through the forehead section where the grey underlay and white satin overlap tightly. And the butterfly sits right at the top so make sure your bobbin tension is consistent through that section or the orange satin goes patchy. Dont rush the black sections either, thats where the crispness comes from. Every customer who sends me a photo of the finished jacket back says the same thing, it looks like a real tattoo flash piece on fabric.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Denim jacket back panelUse the 7-inch size on the denim back; cutaway stabiliser mandatory, slow machine speed to 600spm on satin sections.
- Black hoodie chest placementLeft chest on a black hoodie at 4 inches; cutaway underneath sweatshirt fleece, topping prevents stitch sink.
- Gothic tote bag front5 inch piece for canvas tote front; medium cutaway, standard 40wt thread in deep crimson and charcoal.
- Alternative wedding accessory4-in motif on a satin ribbon sash; use light cutaway and test tension on scrap satin first.
- Dark velvet book coverThe 5-inch on black velvet book cover fabric is stunning; use a water-soluble topping and pull it away gently after stitching.
- Punk band merch t-shirtChest print on a black cotton t-shirt at 4.5 inches; cutaway stabiliser, slow speed on detailed butterfly wing sections.
- Halloween costume back embroideryFull back of a costume jacket at 7 inches; heavy cutaway, two layers if the base fabric is lightweight.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.44 × 3.51 in | 28,857 |
| 3.94 × 4.01 in | 33,133 |
| 4.43 × 4.51 in | 37,746 |
| 4.92 × 5.01 in | 42,326 |
| 5.41 × 5.51 in | 47,147 |
| 5.90 × 6.01 in | 52,185 |
| 6.39 × 6.51 in | 57,450 |
| 6.88 × 7.01 in | 62,794 |
| 7.37 × 7.51 in | 68,348 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










