The woman sits just left of centre in three-quarter view, her face built from minimal line detail, a small mouth, downcast eyes drawn with just a few strokes, long straight hair that falls in fine hatched lines. Shes wearing a bead necklace that comes across as a string of black dots looping at her collarbone. Shes not the centrepiece though, shes more like the anchor point everything else wraps around.
Lotus flowers grow up around her shoulders, two open blooms on the left with sage green outer petals and pink-edged inner layers and yellow stamen centres. Those 3 colours together is what breaks up what would otherwise be a very dark piece. Then theres the vines, thick black serpentine stems that wind through the lower half, wrapping and looping with heavy black leaves coming off them. Behind all of that is a soft grey shadow fill of broader foliage shapes, palm-like fronds and leaf clusters, which gives the composition depth without adding more actual colour.
And then the dragonflies. Theres one top right, one lower left, possibly a third depending on the size. Theyre stitched in cyan blue and dark navy with that slightly iridescent two-tone wing look, and they are the brightest elements by quite a lot. 8 colours total make this one of the more involved designs to set up at your machine, 7 colour changes on each run, but each stop is fast and the result honestly looks like nothing else Ive got in the shop.
This is a dense piece. The 12-inch tops out at about 91k stitches so youre looking at a proper long run, but even the 7-inch at 48k is impressive. A customer emailed me earlier this month after running the 9-inch on a heavy black velvet jacket back and said the shadow foliage disappeared into the fabric but the lotus colours and the blue dragonflies absolutely popped. Back woven fabric with a firm cutaway base before you hoop, the fine linework in the face and hair will shift otherwise. Pull the hoop snug and stitch at a steady pace. Skip satin or slippery fabric entirely because 91k stitches need a stable base. Ping me if you want advice on thread substitutions for the grey background fill, its the most flexible colour in the piece and swapping it out changes the whole mood.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Gothic and dark fantasy jacket back panelsStitch the 10 or 12 inch on a black denim jacket back and the lotus colours and dragonfly blues pop against the dark ground
- Velvet tote bags and evening bagsRun on a black or deep plum velvet tote and the linework sinks into the pile while the flower colours stay vivid
- Alternative wedding or formal wear embellishmentsWorks as a back or chest panel on alternative formal wear, the colour combination reads dark but not aggressively so
- Framed art hoops for dark-aesthetic interiorsFrame the 7 or 8 inch in a dark wood hoop for a dark-aesthetic bedroom or reading corner as proper wall art
- Tattoo-inspired apparel and custom merchPairs well with tattoo-style apparel ranges because the manga linework and botanical elements share the same visual language
- Gothic gift sets for nature and fantasy fansMakes a considered gift for anyone into gothic illustration, dark fantasy art, or the botanical-meets-darkness aesthetic
- Denim shorts or jacket sleeves for festival wearStitch on denim shorts back pockets or a jacket sleeve for festival wear, the 7-inch fits a panel without overwhelming it
Dimensions
6 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 7.00 × 5.93 in | 48,092 |
| 8.00 × 6.78 in | 54,827 |
| 9.00 × 7.62 in | 64,080 |
| 10.00 × 8.47 in | 72,750 |
| 11.00 × 9.32 in | 81,653 |
| 12.00 × 10.16 in | 91,405 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










