This is the classic full-circle laurel wreath, the one thats been showing up on everything from ancient coins to modern logos for about two thousand years. Both branches start at the bottom where the stems cross and curve up and around to meet at the top, leaves spaced evenly all the way round. And every leaf is solid filled satin stitch, so at the 7-inch you really see the texture properly. No outline, no gaps, just clean dark green leaves sitting flush on the fabric.
Its one colour and one thread change which makes it really quick to stitch. The single dark green keeps it versatile too. Works equally well on a white shirt, a cream linen piece, dark navy, or even a black tote if you want something a bit bolder. The symmetry is tight, Wilcom EmbroideryStudio handles that kind of mirror balance well and it shows in the final stitch-out.
Last spring a customer asked if the internal gap was big enough for a three-letter monogram at 5 inches and the answer was yes with room to spare, about 2.5 inches of clear circle inside the leaves. Back with a woven stabiliser on shirt weight fabric. Pop a cutaway behind stretchy knits. Hoop snug so the round shape doesnt pull oval. And skip very dark fabrics unless you want the green to read almost invisible, dark navy is the limit before you loose the leaf detail.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Monogram and name framing on polos and shirtsAnd its the go-to frame when you want a monogram or initials to sit inside a proper classical border on a polo or dress shirt
- Wedding and event personalisation on table linensWorks beautifully on white cotton napkins or table runners for weddings where the wreath surrounds a couple's initials or date
- Sports team and club crest backingSo many small sports clubs use the laurel wreath as part of their crest backing, this one layers cleanly under a central badge or number
- Baby name hoops and nursery decorStitch it around a baby's name on a cot bumper panel or a small wall hoop for the nursery, the dark green reads softly on pale backgrounds
- Tote bag front panels with a word or logo centredPut a short word or a small logo inside the circle on a natural canvas tote and it looks like a proper branded piece
- Graduation and achievement gifts on felt pennantsFrame the 5-inch in card with a name and achievement date as a personalised graduation or award gift that doesnt look mass-produced
- Botanical wall art in a round hoop frameHoop the 7-inch in a round timber frame with raw linen edges and hang it as a standalone botanical print
Dimensions
6 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.01 × 1.83 in | 2,804 |
| 3.01 × 2.74 in | 4,253 |
| 4.01 × 3.65 in | 5,838 |
| 5.01 × 4.57 in | 7,550 |
| 6.01 × 5.48 in | 9,420 |
| 7.01 × 6.39 in | 11,131 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










