So this ones a butterfly, sort of. Theres no actual butterfly anatomy here, no wings with veins or a fuzzy body. Its built entirely from leaves. The silhouette reads as a butterfly because the outer fronds fan out symmetrically left and right, but when you look close every millimetre of it is botanical, slim fern fronds, broad satin leaves, small rounded buds and what look like tiny seed pods scattered through the panels. Two small round green eyes sit at the top of a central stem that serves as the body, and two slim curled antennae arc up from there.
Four colours, which sounds restrained for how complex the design looks. Theres a bright vivid green for the main leaf fills, a lighter yellow-green for smaller accent fronds near the outer edges, a warm golden amber for the smaller flower-like clusters tucked between leaves, and a near-white or pale cream for the tiny circular eye details and a few highlight fronds. The density runs at 1105 stitches per square inch, which is high, and it shows, the finished piece has that thick full look you get with densely digitised folk-style work.
Stitch count on the largest size is 55k, so plan for 45 to 60 minutes at normal running speed. A customer who does botanical wall pieces ordered three sizes last autumn to hang as a grouped set on a pale sage linen panel, small, medium, large, all three centred vertically. She said it looked like a print from a natural history illustration book. Smallest size is 3.13 by 4.51 inches, largest goes to 5.91 by 8.51, so its got real presence on anything big.
Use a medium to heavy cutaway stabiliser because of the density. Hoop taut, and float if youre going onto a delicate fabric. Run at 550 to 600 SPM on the dense fill passes to avoid push-pull distortion. Avoid stretchy knits for this one, the density pulls. Best on a firm linen, cotton canvas or denim. Drop me a message if a registration shift splits the wing symmetry and Ill resend a corrected file.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Botanical wall art hoop on linenHoop the largest size on a natural linen square, stretch it over a 10-inch embroidery hoop frame and hang it as botanical wall art
- Nature-themed cushion cover centrepieceCentre the 5-inch on a sage green cushion cover for a nature-themed living room, the vivid greens pop against muted linen tones
- Garden jacket back panel embroideryStitch the large size across the back panel of a plain denim jacket for a bold botanical statement that reads as art rather than decoration
- Linen tote bag statement designUse the medium size centred on a tote face bag for a botanical garden visit, its the kind of bag people stop to ask about
- Spring table runner accentEmbroider the 4-inch on a cream linen table runner and pair it with pressed flower place settings for a spring dinner table
- Plant shop or florist apron brandingAdd the medium size to a natural canvas apron for a plant shop or farmers-market florist stall, works well with greenery-heavy branding
- Framed embroidery gift for a botanistStitch the large size on a white linen square, frame it under glass and gift it to a botanical illustrator or nature lover
- Cotton canvas pouch for a garden loverUse the 3-inch on a small zippered canvas pouch as a gift for someone who gardens, pair with seed packets or a pair of gloves
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.13 × 4.51 in | 32,297 |
| 3.48 × 5.01 in | 35,091 |
| 3.82 × 5.51 in | 38,000 |
| 4.17 × 6.01 in | 40,912 |
| 4.52 × 6.51 in | 43,774 |
| 4.87 × 7.01 in | 46,749 |
| 5.21 × 7.51 in | 49,668 |
| 5.56 × 8.01 in | 52,628 |
| 5.91 × 8.51 in | 55,593 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










