Two hands cupped together, palms up, and a yellow swallowtail butterfly resting right in the centre of them with wings held flat open. The hands are done in a warm tan with fine cross-hatch shading that picks out every crease and knuckle, its the kind of detail you dont expect on embroidery until you hold it up close. The butterfly sits slightly left of centre and the wings carry that classic swallowtail pattern, yellow and cream body, black border markings, a small patch of cornflower blue toward the lower wing tip. 13 thread colours in total, it needs them.
The skin tones on the hands run through five values from cream highlight to warm tan to a deeper peach-brown in the shadow of the palm cup, I been careful about how the shading transitions so it doesnt posterise. The butterfly wings use directional satin fill on the yellow sections with topping on the black markings so the contrast stays sharp. Stitch count reaches 51,133 at the widest 7.5-inch build, it takes a while to run but the density is what gives the whole piece its weight.
A small hope nonprofit based in Leeds got in touch last easter asking for something for their fundraiser tote bags. They do mental health awareness work and wanted an image about holding something fragile carefully. This one fit without me needing to change a thing, it already said what they needed. She asked could I send me a sample stitch-out first, which I did on cream cotton, and she confirmed the order same afternoon.
Stitch this on cream, oatmeal or natural linen for best skin tone reading. Pale grounds work with the warm hand tones, dark fabric shifts the whole mood and the warm tones go flat. Use cutaway stabiliser, 51k stitches on the biggest size needs a solid backing or the palm shading pulls. Skip jersey or any stretch, the fine hatch lines drift. Nine sizes down to 3.5 inches so it works on a tote pocket aswell as a full cushion panel or framed hoop piece.
Pair it with a short phrase underneath for fundraiser or memorial pieces. Valentines day totes work aswell, its not hearts and flowers but it says something real about care. Email me if the skin tone colours look off in your test run and ill check the thread map.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Mental health awareness fundraiser totesCharity fundraiser tote at 6-inch on cream canvas -- the imagery carries the message without needing any text.
- Hope and charity organisation merchNatural linen cushion for a memorial or sympathy room at full size, short phrase lettered below in the same thread.
- Memorial or sympathy gift embroideryCounselling or therapy space: full-size build stretched across a 10-inch oatmeal cotton hoop -- quiet art that holds the room.
- Framed hoop art for a bedroom or studyHope organisation seasonal gift bag at 5-inch pocket panel for easter or spring awareness events.
- Cream linen cushion panel for quiet decorCream fleece blanket corner at medium build for a mental health awareness comfort gift -- subtle and genuinely warm.
- Easter or spring nature gift stitchingGrief support package addition alongside a handwritten card -- the butterfly-release image communicates without being heavy.
- Custom grief counselling centre giftsCoin purse or small pouch, compact 3.5-inch build -- a low-cost fundraising item that sells at any table price point.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.90 in | 21,621 |
| 4.00 × 3.32 in | 24,720 |
| 4.49 × 3.73 in | 28,168 |
| 5.00 × 4.14 in | 31,590 |
| 5.48 × 4.56 in | 35,268 |
| 5.99 × 4.97 in | 38,903 |
| 6.50 × 5.38 in | 43,055 |
| 7.00 × 5.80 in | 47,005 |
| 7.50 × 6.21 in | 51,133 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










