Picture a vintage varsity crest, 5 to 8 inch range, in full Pan-African gold with red plus forest green. A double circular rim, the outer arc in deep red, the inner arc in forest green. Honoring the Past sweeps along the top in chunky gold serif caps and Celebrating Freedom mirrors it along the bottom in matching gold. Three little stars sit in a row across the middle, one red one gold one green. And then the big move, a bold gold Juneteenth signature script swooping right through the centre with a flourish curl sweeping back under the J. Its a proper emblem, the sort youd put on a community banner or a varsity letterman style commemorative jacket.
3 colours total, so just two colour swaps mid-stitch. From the production worksheet on the 5 inch hoop, youre looking at thirteen thousand four hundred and sixteen stitches, with the gold yellow eating the lions share at 10,473 stitches because thats the script plus the rim text plus the centre star. Red rim and lettering uses 1,355 stitches, green rim uses 1,586. Bump up to the 8 inch hoop and youre at 24,426 stitches total, gold climbing to 19,072. Density is medium-firm at 461 per square inch and the Wilcom file uses directional underlay along the rim arcs which keeps the curves from looking jaggy at the larger sizes.
Heres the bit youll wanna pay attention to. Total trim count on the 8 inch is 54, so theres alot of jump-stitch trimming happening as the machine moves between rim sections, star points, and the inner script. Run it on a machine with an automatic trimmer or youre gonna be standing there with snips for ages. Hoop with a heavy cutaway, no exceptions, because the dual rim creates a structural ring that needs solid support underneath or the centre script can drift on stretchy blanks.
I sold one of these to a customer in Texas last june who hooped the 6 inch onto the back of a black church-group jacket for their annual Juneteenth picnic. She wrote in afterwards saying the gold script just glowed against the black twill and the red and green rim popped off the fabric like a real letterman patch. She used 40-weight rayon for the gold and that sheen difference is what made it sing.
Best on cream, black, deep navy, or warm caramel cotton twill so the gold gets maximum contrast. Avoid pale yellow or mustard fabrics which kill that signature lettering. Skip stretchy jersey unless you double up the cutaway. Pair it with poly mesh topping on any blank with nap like fleece or canvas duck.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- centre-back varsity letterman jacket commemorative patchStitch the 8 inch hoop on a black twill letterman jacket centre back for a commemorative crest patch with letterman polish
- Juneteenth community programme tote bag front panelPop the 6 inch on a natural cotton tote with heavy cutaway for a Juneteenth programme bag at community events
- black church group polo shirt left chest emblemRun the 5 inch on a black polo left chest as a church-group emblem for an annual freedom day picnic gathering
- freedom day cushion cover or framed wall hoop artHoop the 6 inch on a cream cushion cover and frame it in an 8 inch wood ring as ceremonial mantle decor
- fleece pullover hoodie back yoke crest designEmbroider the 7 inch back yoke on a deep navy fleece pullover hoodie for a heritage crest with vintage letterman energy
- youth heritage club blazer pocket badgeStitch the 5 inch on a youth heritage club blazer breast pocket for a school cultural pride uniform programme piece
- community festival vendor banner panel on canvasUse the 8 inch on heavy canvas duck banner panel hanging at community Juneteenth festival vendor booths and pop-up events
Dimensions
4 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 4.13 × 5.00 in | 13,416 |
| 4.96 × 6.00 in | 16,790 |
| 5.78 × 7.00 in | 19,705 |
| 6.61 × 8.01 in | 24,426 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










