The quote runs down the right side of the design in big bold block capitals, each word on its own line, stacked tight. The full text reads "and into the forest i go to lose my mind and find my soul", starting narrow at the top and widening out toward the bottom words. The font is heavy condensed, not a delicate script, the letters are wide and filled with dense satin stitching so they hit hard at any size. On the left edge a single tall pine tree stands as a silhouette, same black thread, same weight, aligned along the full height of the text block. The two elements together make a composition thats tall and narrow, which is unusual and kind of perfect for placing on a bag strap panel or a jacket front placket.
I know this quote gets used alot but the stitched version hits different to a printed version because the thread texture in the letters actually adds something. At the smaller sizes the inner detail on the letters reads as a slight fill variation, at the larger sizes the individual directional stitches are visible and it looks genuinely handcrafted. Its the john muir quote, in case you dont recognise it, and it shows up constantly in the hiking and outdoor community.
One customer emailed me last december after they stitched the 6.5-inch onto a canvas backpack front and said their hiking club immediately wanted copies. Thats kinda the market for this, people who spend time outside and want their gear to say something real. The 3.5-inch fits a sleeve placement neatly, the 7.5-inch is big enough for a canvas tote front panel on its own.
Single colour so you can use any thread you like. Black is classic but dark forest green or navy works well aswell. Use a medium cutaway stabiliser on woven cotton and canvas. The text density is moderate at about 26k stitches max so it doesnt overload lighter fabrics. Hoop tight, the satin fill on the condensed letters needs the fabric held flat or the edges feather. Skip tear-away on this one, the letter fills need the support underneath. Email me if the text edges are feathering and youre not sure why, its usually a hooping tension thing and Ive seen it before.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Canvas tote bags for hikers and campersThe tall narrow format runs beautifully down a canvas tote strap or on the front face of a shopper bag where most designs would be too wide
- Denim jacket front placket stripsPop the 4.5-inch onto a denim jacket placket strip on the right front panel and it fills that long narrow space that most designs cant handle
- Hiking backpack front panelRun the 6.5-inch on a canvas backpack front where the quote works as both a visual element and an actual message about why youre carrying the bag
- Cabin and lodge throw pillow coversStitch onto a rectangular linen cushion cover for a cabin, lodge or mountain holiday home where a nature quote reads as interior decor not just craft
- Bookmarks and fabric book coversThe 3.5-inch fits a fabric bookmark or the inside cover of a hand-stitched journal for a nature-lover gift that doesnt cost much to make
- Outdoor wedding welcome signage giftsHoop on small linen squares and gift as wedding favours or place cards for outdoor weddings where a forest-themed setting needs matching details
- Forest-themed nursery wall hoopsFrame the 4-inch in an embroidery hoop and hang it in a nursery or kids bedroom decorated with a woodland or forest animals theme
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.49 × 2.82 in | 10,415 |
| 4.51 × 3.62 in | 13,927 |
| 5.50 × 4.42 in | 17,854 |
| 6.51 × 5.23 in | 21,709 |
| 7.50 × 6.03 in | 26,730 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










