Just a Girl Who Loves Jesus & Baking Embroidery Design, Machine Embroidery Pattern, Instant Download

Multi-line stacked typography that reads Just A Girl Who Loves Jesus And Baking. Up top Just A Girl in chunky black serif. Below that Who Loves in smaller cursive red script, sittin tucked between the upper letters. Jesus stands alone on its own line in tall black hand-lettered calligraphy with a tail off the s. And Baking sits underneath in red brush lettering flowing right to left with a tiny black heart on the end of the g. Beneath all that is a black mixing bowl with a wire whisk standing up, a cracked egg on the side, all rendered in solid satin fill. Stacked tight. Reads warm.

Two thread colours. Black runs 6,719 stitches and handles all the serif letters, the Jesus calligraphy, the mixing bowl, the whisk and the cracked egg. Red runs 2,714 stitches covering Who Loves and And Baking script lines plus the lil heart accent. 5 sizes total. Smallest at 3.51 inches wide and 9,435 stitches, largest going up to 7.51 inches at 21,873 stitches. Density sits at 550 which is solid but workable on most fabric. I digitised this in Wilcom EmbroideryStudio with directional satin underlay on every block letter so they pull plump and even.

After her sunday-school baking group started a fundraiser last spring, one customer ordered the 5-inch size on cream linen aprons for fifteen volunteers, she said the red script popped beautifully against the natural ground. The smallest 3.5-inch fits a left-chest pocket on a smock. A 5-inch fills a tea-towel centre nicely. Anything 7-inch and above wants a wall hoop or a cushion centre, big enough to be a focal piece.

Stitch best on cream cotton, ivory linen, natural canvas, light grey flannel, pale pink fleece or oatmeal twill. Skip dark fabric unless you swap the black for cream or white thread. Avoid stretchy jersey, the dense satin on jesus stops reading clean when the fabric shifts. Pop medium cutaway under cotton, switch to heavy cutaway for canvas. Youll want a 75/11 sharp needle, bump to 80/12 on canvas, and slow the run to 700 spm on the dense black serif sections cause the columns are wide and the satin needs careful tension. Theres no rushing that part.

Send the file straight to your home machine, the design has only one colour change, just black then red. Pre-test on a fabric scrap if youre running on knit, dense typography behaves different on stretch versus woven and youll want the joke landing crisp. Trim every long jump between the bowl and the lettering blocks for the cleanest finish. Im big on the manual trim.