Made this one last january when I was putting together a batch of creative/novelty designs for customers who do custom work for offices and studios. The idea was simple: a classic light bulb but with paint exploding out of it, like the moment an idea hits. Five colours total, directional satin stitching on each splash arm so they dont just look flat, they actually read as rays shooting outward.
Stitch counts go from 4,822 at 3.5 inches wide all the way to 13,163 at 7.5 inches. One customer who runs a small graphic design studio ordered a dozen of these on canvas tote bags for her team last spring, and the 5 inch version on ecru canvas looked exactly like she wanted. Alot of buyers ask me if the splash arms stay defined at the smaller sizes and honestly yes, they do, because the underlay on each arm keeps the density consistent even at 3.5 inches. And the bobbin tension matters here too, worth checking that before you run the full stitch-out. Heres the thing about density at 259, it sits right in the range where the design reads crisp without puckering on medium-weight cotton or canvas.
Its a five-colour design, so youll want a cutaway stabiliser underneath for anything stretchy. On a cotton canvas bag or stiff linen, a tearaway works fine, the fabric is forgiving enough. Pop it in a small hoop if youre going with the 3.5 inch size on a shirt pocket, the hooped area doesnt need to be huge for this one. Stitch it on tightly woven fabric first if youre new to multi-colour work, it runs much cleaner than on loosely woven materials. Use a light pressing cloth after stitching to set the satin flat without crushing the raised texture. So five colour changes in the stitch sequence, but the breaks are clean and each stop is clearly marked in the file.
Holler at me if a file format doesnt work on your machine and Ill swap it for one that does.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Custom tote bags for creative studiosLooks great at 5 or 6 inches on a 12 oz canvas tote, cutaway stabiliser holds it flat on the base fabric.
- Embroidered patches for maker spacesRun it at 3.5 inches on felt or twill for a clean iron-on or sew-on patch with tight edges.
- Staff polo shirts for tech companiesThe 4.5 inch size sits perfectly on a left chest pocket area, five colour changes go fast on most machines.
- Teacher appreciation gifts on canvas pouchesUse the 3.5 inch version on a small zip pouch front, tearaway under standard cotton canvas works well.
- Kids school bags for art class loversSeven inch version on a backpack flap makes a bold statement, satin rays stay sharp on ripstop nylon.
- Festival tote bag market stallsPrint on a banner alongside embroidered totes, the graphic style translates well at any size.
- Notebook cover embroidery projectUse the 5 inch size hooped with a stabiliser on a hardback notebook cover, light linen or Aida fabric.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 3.16 in | 4,822 |
| 4.50 × 4.06 in | 6,598 |
| 5.50 × 4.96 in | 8,530 |
| 6.50 × 5.86 in | 10,673 |
| 7.50 × 6.77 in | 13,163 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










