Played with a limited edition quote layout, its got fashion-poster energy. The word LIMITED runs in bold black block caps inside a thin rectangular frame, but the letters arent just plain black, theyve been hand-built with little colour blocks tucked inside. The L has a soft pastel pink column standing in the corner. The I in LIMITED has a mustard yellow body and a teal cap. And right above the dot of the I sits a small red cherry with a tiny black stem and leaf. Underneath the frame the word edition flows out in soft black cursive script. Five colours total.
Block letters use thick directional satin laid so the letters carry subtle depth. Pastel insert columns sit underneath the black, so each letter reads like it grew up in colour layers, not flat colour-blocked. Cherry is a tiny red satin dome with a green leaf flick and a black stem hanging off the I, the playful kicker. Cursive edition word stitches as a single satin cursive line with smooth curve transitions, the loops actually loop instead of overlap.
I drew this for fashion-tee makers, small drop merch, capsule collection labels and band shirt designers doing limited runs. Smallest size is 3.51 by 1.98 inches, biggest is 7.51 by 4.22, so it sits on a small chest hit or a full back panel. A customer ordered the 6-inch last november for a christmas tee drop she did at a local market, only made 30 of em and the cherry-on-the-I quote sold the concept. She told me thats the bit people kept commenting on, the cherry was the kicker.
Best results stitch on a smooth woven cotton tee, soft jersey, washed twill or a heavier hoodie fabric. Cream, soft sand, sage, charcoal and dusty pink all let the black block letters pop properly. Skip black fabric, the bold black satin disapears straight into the cloth. Avoid heavy fleece, the cherry stem detail vanishes into pile.
Density runs 470 stitches per square inch, max 14k stitches on the largest size, so this stitches out fast for a graphic. Use a light cutaway stabiliser. Hoop firmly, jersey will pull the block letters out of square. Float a layer of water-soluble topping on the cursive word so the loops stay crisp. Best to slow the cherry segment down so the small parts lock down clean, message the help inbox if a colour drifts and ill rebuild the file.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Fashion drop tee chest hitStitch the 5-inch on a cream cotton tee chest as the front graphic for a small fashion drop with hang-tags
- Capsule collection hoodie backPop the 7-inch on the back of a charcoal hoodie for a capsule collection so each piece reads as a limited run
- Band shirt sleeve panelAdd the 4-inch to a black band tee sleeve panel as a side accent for a tour run with a numbered hang tag
- Boutique tote bag frontsPlace the 6-inch on a sand canvas tote front for a boutique pop-up so the brand reads from across the table
- Limited-run cap front panelEmbroider the 4-inch on the front panel of a dusty pink dad cap for a limited-run summer accessory drop
- Streetwear crewneck chest hitStitch the 5-inch on a sage crewneck chest hit for a streetwear capsule with a small chain stitch tag underneath
- Concert merch zip-hoodie backAdd the 7-inch to the back of a navy zip hoodie as the centre piece for a tour merch drop limited to 100 pieces
- Pop-up shop apron frontPlace the 5-inch on a cream apron front for a pop-up shop staff so each apron matches the boutique branding
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 1.98 × 3.51 in | 6,403 |
| 2.26 × 4.01 in | 7,368 |
| 2.54 × 4.51 in | 8,480 |
| 2.82 × 5.01 in | 9,556 |
| 3.10 × 5.51 in | 10,627 |
| 3.38 × 6.01 in | 11,693 |
| 3.66 × 6.51 in | 12,698 |
| 3.94 × 7.01 in | 13,772 |
| 4.22 × 7.51 in | 14,880 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










