Its the word love in flowing cursive script with a heart sitting where the o would be, replacing it completely or hanging off the letter depending on the size. The lettering has proper calligraphy-style stroke weight, thick on the downstrokes and thinner on the upstrokes, which gives it a clean modern feel rather than a bubbly font look. Single colour file with stitch counts from 10,041 at the 2.87 inch size up to 27,132 at the 6.13 inch, five sizes total.
I digitised the script with satin column fills along each stroke path so the letter edges stay sharp even at the smaller 2.87 inch size. Because its only one colour you can stitch this in literally any thread shade and it works. Ive done it in red on white, navy on cream, and even gold metallic thread on black fabric for an anniversary gift and each one looked completely different.
Use a cutaway stabiliser for any stretchy fabric and tearaway for wovens like cotton twill or canvas. The density at 590 means the letters have nice body without being too stiff. Customers love this one for valentines day items but honestly it works for anniversary gifts, wedding presents, and personalised home pieces year round.
Stitch on white, cream or any light solid background for maximum contrast. My favourite version Ive seen was black thread on a white linen tea towel, looked like a proper calligraphy print, a customer sent me the photo last christmas. Pick the 6.13 inch version for pillow fronts and tote bag centre panels. Avoid putting this on busy patterned fabrics because the single-colour script will disappear into any background noise.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Valentine's Day pillows and cushion coversGold metallic thread on cream linen for a wedding anniversary gift: the single colour forces the quality of the digitising to carry the whole piece, and this one holds
- Wedding and anniversary gifts on linenWhite linen tea towel for a kitchen gift at 5 inches, black thread on white reads as a proper calligraphy print rather than obviously machine-made
- Tea towels and kitchen textilesScarf corner at 2.87 inches in a tonal thread, the satin column script picks up light along the stroke direction and shimmers slightly when the scarf moves
- Tote bags and market bagsCosmetic pouch panel on white cotton running 3.5 in. The tall orientation fits the front face of a standard zip pouch without running into the zipper seam
- Baby onesies and rompersWhite cotton pillow cover at 6 inches, this one sells itself because the heart where the O should be is immediately understood without explaining
- Framed hoop wall artFramed bedroom wall hoop at 5 inches on white linen, the calligraphy-weight strokes look architectural against bare wall rather than craft-fair decorative
- Gift card pouches and fabric envelopesMuslin envelope gift pouch for a card and voucher, the script at 2.87 inches is legible as a design but small enough to leave room for a handwritten name
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.87 × 3.50 in | 10,041 |
| 3.68 × 4.50 in | 13,545 |
| 4.49 × 5.50 in | 17,469 |
| 5.31 × 6.50 in | 22,224 |
| 6.13 × 7.50 in | 27,132 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
