Small dainty mermaid sitting cross-legged inside a wide leaf-scroll base that fans out like a decorative cartouche. The hair is what takes your eye first. Long wavy strands rendered in thin parallel run stitches that flow off to the right, a small flower clip catching it at the crown. Face is simple and sweet, eyes closed, little rosy cheeks. Shes holding a starfish with both arms, tight to her chest like its something she found and decided to keep.
The botanical base underneath her is actually pretty intricate. Paired leaf fronds curve out on both sides, stems branching into smaller sprigs, the whole thing dotted with tiny accent marks like an old botanical print. At the very bottom the tail curls down into it, scales done in a small hatched pattern that reads fine and delicate at full size. Tiny hearts float in the negative space on either side of her and theres a few little curl marks scattered in the background. The whole piece has the feel of something someone drew in a journal and then decided to stitch.
Two colours only: black carries everything except a few small pink elements. Stop 1 is pink for the starfish, hearts and the flower clip, then everything else is stop 2 in black. One colour change. Stitch counts go from 6,100 on the smallest up to 8,400 on the 6-inch, so even the large is a light-density project that stitches out quick. Five sizes from 3.62 inches wide up to 5.43 inches wide. Use a light to medium cutaway on knit or stretch fabric. Tear-away works on woven cotton or linen. Use a water-soluble topping on any fabric with a visible texture, the fine hair stitches especially will sink into terry or waffle weave without it.
Stitch on white, ivory or very pale mint and the black linework reads like a proper illustration. Pale blush also works nicely and the pink accents feel warmer against it, less stark then pure white. Skip any fabric darker than a mid tone, the fine black linework needs contrast. One customer needed the 5-inch last winter for ivory cotton onesies going out as baby shower gifts and said the hair strand detail held perfectly even at that size. Dm me if the tail scale area looks muddy, thats usually a needle size thing and its an easy fix.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Girls tee shirt or kids dress front panelStitch the 4-inch on a white girls tee and its a sweet everyday top that looks like it came from a boutique childrenswear shop
- Baby onesie or romper for a shower giftWorks beautifully on an ivory or white cotton onesie for a baby shower gift, the delicate line quality holds even at smaller sizes
- Nursery wall hoop or framed textile artFrame the 5-inch in a wooden hoop with raw edges and hang it in a nursery or toddler room as a gentle piece of handcrafted wall art
- Cotton or linen pillow cover for a girls bedroomEmbroider on a pale blush or ivory pillowcase for a girls bedroom that has that handmade-not-bought quality
- Tote bag or backpack patch for ocean loversStitch onto a canvas or cotton tote as a patch for any kid or adult who loves the ocean and wants something more personal than a print
- Handmade birthday card with embroidered insertMount the small size on card stock with a cut aperture and you have a one-of-a-kind embroidered birthday card that nobody else will have
- Embroidered hair accessory backing or scrunchie patchBack the 3.6-inch on a stiff interfacing cut to a scrunchie panel or hair clip shape for a handmade accessory that matches ocean-themed outfits
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.94 × 6.01 in | 14,982 |
| 4.72 × 7.01 in | 18,736 |
| 5.51 × 8.01 in | 22,914 |
| 6.30 × 9.01 in | 27,506 |
| 7.09 × 10.01 in | 32,418 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










