Im gonna be honest, this one surprised me when I first stitched it out. The butterfly is a swallowtail silhouette, single black thread, but the wing panels are filled with an open lattice of vein lines that look like stretched spiderweb sections. Its not a flat filled butterfly. Its really really open and airy in the wing area, which means the fabric underneath actually shows through in those vein gaps. Stitch it on a cream tote and you get this nice layered effect where the cream peeks through the lattice. Its subtle and it works.
I used Wilcom EmbroideryStudio to build the vein structure here. Directional satin columns cross each wing segment at different angles, which made the digitising more fiddly than a plain silhouette fill. The outer wing edges use a satin border stitch to define the shape, and the antennae come out clean even at the 3.5 x 3.09 inch size. At 6,560 stitches for the smallest size and 15,282 for the largest (7.5 x 6.63 in), the stitch count is low enough that you dont need a heavy cutaway. A medium tearaway or light cutaway stabiliser is enough on woven fabrics. Density sits at 307, so the wing lattice stitches are open rather than dense, which is what gives the see-through effect its character.
Send someone this design on a cream or white fabric and theyll get the full effect of the lattice. On dark fabrics the lattice disappears visually since theres no contrast from the fabric peeking through, so Pair it with dark thread on dark fabric only if you want pure silhouette. Use a topping on fleece or waffle knit to stop the vein stitches sinking in. Pick the 5-inch size for a tote front panel, the 3.5-inch for a shirt pocket corner or cap.
Last autumn I had a customer who asked about using it on a black denim jacket, the black on black version. She sent me a photo after and it actually worked because the satin sheen caught the light differently from the matte denim. Something I hadnt thought of but makes sense now.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Cream canvas tote front panelThe lattice wing vein structure shows up best on cream or white canvas where the fabric peeks through the open gaps.
- Denim jacket back or breast pocketOn denim the black satin sheen reads differently from the matte weave, giving a tonal contrast even in all-black.
- Linen napkin or table runner cornerThe 3.5-inch size sits cleanly in a napkin corner without crowding the hem, good for hostess gift sets.
- Fashion tee chest or sleeveThe 5-inch size on a linen tee chest placement works without cutaway if the fabric is pre-washed and stable.
- Cushion cover in neutral tonesNeutral-tone cushion covers in cream, oatmeal, or grey let the wing lattice silhouette do all the visual work.
- Bookbag or laptop sleeve pocketThe smaller 3.5-inch hoop fits a standard laptop sleeve pocket panel without hitting the zipper seam.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 3.09 in | 6,560 |
| 4.50 × 3.98 in | 8,442 |
| 5.50 × 4.86 in | 10,461 |
| 6.50 × 5.75 in | 12,775 |
| 7.50 × 6.63 in | 15,282 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










