Kinda the bolder sibling of the cursive miss melt design. Miss sits up top in tall chunky block capitals, then melt flows under it in a classic script style, your comes smaller in print below that, and heart sweeps across in red cursive at the bottom with a good wide swooping tail. Off to the right theres a sand coloured pot with hearts literally spilling out over the top and cascading down. Completely different composition from the all-script version even though the phrase is the same.
3 colours and the split is interesting, the block lettering stitches in black satin columns so its crisp and strong, the pot body runs in a warm sand thread, and all the hearts including the sweeping red heart at the base and the overflowing pot ones are red. The contrast between the heavy black Miss and the flowing lower section is what makes this readable from a distance on a shirt or bag.
Runs from 3.51 inches wide at the smallest up to 7.51 inches across at the largest, heights go 3.17 to 6.79 inches. Stitch counts land between about 10,400 and 22,800 so its a medium density digitising job across all 5 sizes. Pop a tearaway behind woven cotton or denim, cutaway for jersey or any stretch knit. Try it on navy, charcoal, or black fabric for the strongest contrast with the black letters and sand pot.
Honestly I use this one as my go-to recommendation when someone wants something more structured than the full script version. One customer asked me last month which version photographs better on dark navy hoodies and I said this one without hesitation, the black block lettering and cream pot hold up really well against dark backgrounds. Pair it with a plain navy fleece or charcoal cotton for maximum contrast.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Valentine's Day hoodies and sweatshirtsThe strong contrast between black block letters and red script reads really well centred on the chest of a navy or charcoal hoodie.
- Tote bags for Galentine's Day eventsA 5-inch version on a natural canvas tote makes a fun Galentine's Day gift that still looks polished rather than craft-project.
- Embroidered cushion coversCentred on a plain white or cream cushion cover this composition has enough visual weight to anchor a bedroom or living room throw pillow.
- Custom aprons or kitchen linensThe structured layout works well on apron bib fronts where other script-heavy designs can get lost against fabric folds.
- Cotton canvas makeup bagsStitched onto a makeup bag in the 3.5-inch size it fits neatly and makes a sweet personalised gift without overwhelming the item.
- Framed anniversary giftsSome customers print this into a hoop and frame it as a small valentines anniversary gift for partners who sew or craft.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.51 × 3.17 in | 10,431 |
| 4.51 × 4.08 in | 13,352 |
| 5.51 × 4.98 in | 16,401 |
| 6.51 × 5.89 in | 19,559 |
| 7.51 × 6.79 in | 22,770 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
