The design is a circular scene, like youre looking through a tunnel of tall pine trees at the night sky. A massive full moon sits dead centre at the back, golden yellow, and its reflection comes straight down the river toward you. The river runs through the foreground with rocks and snow-dusted banks on either side. Five colours do alot of heavy lifting here, deep navy for the tree silhouettes, black for the shadowed ground, gold for the moon and water highlights, burnt orange for the distant tree line, and a pale icy blue for the snow and sky glow.
I built this with tatami fill on the large open areas, which is how you hold that flat vintage poster quality at big sizes without the fill looking brushed or messy. The pine trees stitch as solid silhouettes with no outlines, the edges are clean because the colour change itself creates the boundary. River surface runs with diagonal fill direction, so the moon reflection catches the light differently to the sky. At 60k stitches on the largest 5.23 by 7.5 inch size, its dense, send me message if your machine needs a split version.
The outdoor gear crowd found this one fast. A custom jacket shop in the pacific northwest picked it up last october for a run of camp blanket patches and fleece pullovers, they said it outsold everything else on the table. I get orders from hiking outfitters, outdoor wedding planners who want venue gifts, and people doing cabin wall hoops who want something that looks like a proper framed print.
Run this on black or charcoal denim, the navy and gold really glow on dark cloth. Stitch the large size on black fleece for a camp blanket or a zip-up hoodie back panel. Avoid pale or white fabric, you lose the night scene depth entirely and the whole mood goes with it. Use cutaway stabiliser, 1546 density needs it, and slow your machine down on the pine tree sections where the fill direction shifts fast.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Outdoor gear shop jacket and fleece patchesStitch the 7.5-inch on a black fleece pullover back panel for an outdoor gear shop and the navy-gold palette reads like a collector print.
- Camping and hiking club apparelEmbroider the medium size on a waxed canvas patch and sew it onto a hiking club jacket as a trail reward badge.
- Cabin rental welcome gift pouchesUse the 4-inch on a drawstring pouch filled with local snacks as a cabin rental welcome gift, it pairs well with kraft paper tags.
- National park souvenir tote bagsSew the large size on a black canvas tote for a national park visitor centre gift shop, landscapes sell consistently there.
- Black denim jacket back panelRun the biggest size across the back of a black denim jacket and keep the front plain so the scene carries all the attention.
- Framed wall hoop for a mountain homeHoop the 5-inch in a 6-inch dark-stained wooden frame for a mountain cabin wall piece that looks like a proper print.
- Outdoor wedding favour embroideryEmbroider the small 2.5-inch on a muslin favour bag for an outdoor wedding in autumn and tie with a jute ribbon.
- Camp blanket or fleece throw patchStitch the large size in a camp blanket corner patch for a fleece throw and add a year or location underneath in plain text.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.43 × 3.50 in | 22,079 |
| 2.78 × 4.00 in | 26,198 |
| 3.13 × 4.50 in | 30,407 |
| 3.48 × 5.00 in | 35,754 |
| 3.82 × 5.50 in | 39,231 |
| 4.17 × 5.99 in | 43,991 |
| 4.52 × 6.50 in | 48,753 |
| 4.87 × 7.00 in | 53,708 |
| 5.23 × 7.50 in | 60,631 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










