
Mountain river sunset is the kinda woodland scene that belongs on a national park poster. Big orange sun rises up behind two snow-capped peaks dead centre, a thin halo of light fanning outwards. 2 dense pine clusters flank the left and right edges in dark inky shapes. A pale blue river curves down out of the mountains through the bottom of the frame, narrow at the top and widening as it pours forward. Whole scene reads circular, like youre looking through a porthole into golden hour over the rockies.
Closer look and the screen-print feel is whats doing the heavy lifting here. Mountain rock uses a halftone dot fill in pale grey to cream so the snow caps blend without looking flat. Sun is solid burnt orange satin with a thin cream rim and 9 hatched ray lines fanning out behind. Pines are clean tearaway-ready forest green silhouettes with subtle directional satin trunk lines. River uses a long pale-blue tatami fill with white squiggle highlights for movement and ripple. 6 thread changes total but the halftone makes it read as 9.
I drew this last autumn for an outfitter buddy who runs a hiking shop up in the rockies. He put the 7-and-a-half inch version on a row of charcoal canvas trail bag flaps for staff and one customer sent a chat the morning after asking for the file for her brothers wedding favours, the bloke proposed on a forest hike. So Ive been seeing it ordered for outdoor adventure tee runs, lodge guest book pillow chests, fathers day cabin gift bags, and dadventure crew hoodies.
Best on cream linen, oatmeal cotton, sage twill, or a navy hoody bc the burnt orange sun lights up against muted cool fabrics. Avoid bright orange or red shirts because the sun merges into the cloth and the whole circle goes flat. Skip terry pile aswell, the loops chop the halftone dots and you lose the poster vibe. Charcoal jersey is gorgeous if youre after a moodier dusk vibe, the pale river really pops.
9 sizes from 3.23 wide and 3.51 tall up to 6.91 by 7.51. Stitch count climbs from 29.1k up to 70.8k so the biggest version wants a heavy cutaway stabiliser, slow machine speed, and a sharp 75/11 needle for the satin sun rim. Tearaway works on canvas. Hoop dead tight bc those tiny dots on the mountain want a stable base or they shift. Ping the shop if any band reads patchy and Ill rebuild the file by morning.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Hiking shop trail bag flapsStitch the 7.5 inch sunset on a charcoal canvas trail bag flap for hiking shop staff at a rockies outfitter
- Lodge guest book pillow chestsPop a 5 inch design on a cream cotton lodge pillow chest for a guest book pillow at a forest cabin rental
- Fathers Day cabin gift bag panelsEmbroider a 6 inch scene on an oatmeal canvas tote for a fathers day cabin gift bag this autumn
- Outdoor adventure tee chest printsStitch the 5.5 inch landscape on a navy adventure tee chest for a national park crew or dadventure walk
- Cabin wall hoop art for hallwaysFrame the 7.5 inch scene on cream linen in a wooden hoop and hang in a lakeside hallway
- Camping trip welcome cushion coversSew a 6 inch sunset on a sage twill camping welcome cushion cover for a friends woodland glamping trip
- Trail crew embroidered jacket backsPop a 7 inch design on a black canvas jacket back panel for a trail crew or guided hike team uniform
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.51 × 3.23 in | 29,122 |
| 4.01 × 3.69 in | 33,783 |
| 4.51 × 4.15 in | 38,460 |
| 5.01 × 4.61 in | 43,440 |
| 5.51 × 5.07 in | 48,316 |
| 6.01 × 5.53 in | 53,744 |
| 6.51 × 5.99 in | 59,284 |
| 7.01 × 6.45 in | 63,572 |
| 7.51 × 6.91 in | 70,816 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.









