The butterfly sits on the left, done in a filigree style with swirling ornamental wings full of internal scroll patterns, little circles, and curling tendrils. Its not a naturalistic wing shape at all, more like the kind of thing you'd see in Victorian decorative lettering, where the forms are recognisable but everything is made of flowing curves. The body is a thick satin column. And then from the right side the design opens up into a musical staff, notes scattered along it, quarter notes and eighth notes with their stems, and the staff line curling into a decorative scroll at the far right end. The whole composition runs horizontally, much wider than tall.
Five sizes from 3 inches up to 7 inches wide, but given the horizontal shape the height is pretty shallow. The 7-inch is only 4.55 inches tall. So its a wide design rather than a tall one. That makes it good for a bunch of placements where a tall design wouldnt fit, sleeve bands, scarf ends, bag handles, waistband areas. Stitch count goes from 4,419 at the smallest up to 9,638 at the largest, 1 colour throughout, digitised in Wilcom with tight satin on the butterfly body and lighter density on the staff section so one side doesnt drag heavier than the other. Run it on cream or white cotton for a clean first test.
Music teachers are the main buyers. Thats just the reality. I get orders every august and september from people making back-to-school gifts for piano teachers, choir directors, and school music department staff. One customer this past august sent me message saying shed ordered the 6-inch for her daughters piano teacher recital gift bag and the design stitched out in about 12 minutes on cream linen. Quick run for a gift-maker who needs several done in a night.
Use a tearaway stabiliser on woven cotton, linen or canvas. Hoop in landscape orientation at the larger sizes, check before you load or youll clip the notes on the right end. Skip any pile fabrics like velvet or terry here, the fine staff lines need a smooth flat ground. Slow your machine down on the filigree scroll sections to keep the satin edge tight. And watch for jump stitches between the note heads, Wilcom trimmed em clean but its worth checking on your first pass.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Music teacher appreciation tote bagsStitch the 6-inch on cream linen for a music teacher gift tote and the horizontal layout sits perfectly along the bag front.
- Piano recital programme covers on fabricEmbroider on fabric and attach it as a decorative patch to a piano recital programme folder cover.
- Orchestra or choir member tee shirt designPop the 5-inch on a navy or cream tee chest for a choir member who wants a subtle music graphic.
- Personalised scarf or wrap for music loversRun the 7-inch along the end of a long cotton scarf for a music-lover who prefers wearable art over printed merchandise.
- Cotton bag for carrying sheet musicStitch the 4-inch on a canvas drawstring bag used to carry rolled sheet music to lessons.
- Sleeve band embroidery on a blouse or cardiganUse the 3-inch on a cardigan or blouse sleeve band for a music teacher who wants something to wear to recitals.
- Framed hoop as music room wall decorHoop the medium size in a round 8-inch frame and hang it in a music practice room or studio as wall art.
- Gift wrap fabric panel for music-themed presentsStitch on a square of white cotton and sew it onto a handmade gift bag for a birthday or recital gift.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.01 × 1.95 in | 4,419 |
| 4.00 × 2.60 in | 5,707 |
| 5.01 × 3.25 in | 7,011 |
| 6.01 × 3.90 in | 8,331 |
| 7.01 × 4.55 in | 9,638 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










