Customers asked for a teal and yellow-green peacock feather design that could work as a fashion piece on clothing, not just a craft project, and this is the one I point them to now. Its cut right into the eye section of a peacock feather, none of the long quill shaft, just the iridescent eye surrounded by those splayed barb lashes, and the result is something that looks just as at home on a clutch bag as it does on a jacket lapel. The teal liner around the iris gives it this surreal, makeup-art quality that reads very editorial. A customer at a market last spring told me she got three separate compliments on her tote before she even set it down on a table.
The iris itself is yellow-green with lines radiating out from a solid black pupil, very much like the real thing but rendered in thread rather than pigment. Nineteen colours means 19 color changes, I wont sugarcoat that, tape the thread behind the hoop between changes and youll be fine. The grey-white barb lashes that fan out around the outer edge are done in a more open directional fill that contrasts with the dense satin stitching of the iris. Wilcom EmbroideryStudio is what I used for the colour sequencing, getting that graduated yellow-green iris to build cleanly took more passes than id expected.
This is wide rather than tall, the 7.5-inch version is 5.32 inches high, so suits landscape placements like a jacket front panel, bag flap, or sleeve patch. Tape a layer of tearaway behind wovens and a firm cutaway behind knit. Skip lightweight stabilisers on this one, the stitch density at 42,841 minimum needs proper support. Add a topping layer over any pile or textured fabric to stop the underlay from sinking. Message me if the file causes any problem and Ill get it sorted.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Fashion jacket or blazer front panel or sleeveThe wide format suits a jacket front below the collar, sits flat on most medium-weight wovens.
- Evening clutch bag or small purse flapOn a black satin clutch the teal and yellow-green iris colors really come through under any light.
- Scarf or sarong accent in a landscape placementLandscape scarf placement near one end looks like a designer accessory rather than a craft project.
- Framed wall art hoop on dark velvet or silkBlack velvet in a 6-inch hoop frame turns this into something you'd see in a textile art gallery.
- Denim or canvas tote bag feature panelOn natural canvas the teal liner color is the first thing people notice, genuinely eye-catching.
- Patch for a hat brim or cap panelThe 3.5-inch size works on a structured cap panel without puckering on the interfaced fabric.
- Throw pillow on a bedroom or reading nook chairOn dark linen or velvet it's probably the most dramatic pillow design in this whole range.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.48 in | 43,091 |
| 3.97 × 2.74 in | 42,841 |
| 4.50 × 3.19 in | 58,220 |
| 4.96 × 3.43 in | 55,939 |
| 5.50 × 3.90 in | 75,623 |
| 5.95 × 4.11 in | 69,991 |
| 6.49 × 4.61 in | 94,045 |
| 6.95 × 4.80 in | 85,801 |
| 7.50 × 5.32 in | 114,042 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










