Tall pine trees in front of mountain peaks, all rendered as one solid silhouette. Its vertical, narrow, and stark in the best way. The pines stand up sharp at the bottom and the mountain shapes rise behind them with that jagged ridgeline. No gradients, no outlines, just the solid filled shape doing all the work. It reads from across a room without effort.
One colour. The composition is tall and narrow, which means it slots into spots that most designs cant. A chest pocket. A sleeve panel. A narrow hat band area. Width runs 2.2 to 3.52 inches across 4 sizes which keeps it in that slim format throughout. Heights go from 5 inches to 8 inches so its genuinely tall even at the small end. Stitch density at 1115 means its properly filled and wont look thin on the fabric.
I get messages about this one from outdoor apparel makers pretty regularly. Last month one customer sent photos of the 3.5-inch version stitched in white on a charcoal grey fleece pullover and it looked spot on, like a national park patch from a proper outdoor brand. Theres been a bunch of people going with white thread on dark fleece lately and it really really works.
Try it on fleece, canvas, twill or denim. Charcoal on cream canvas is classic. Use cutaway stabiliser on any fleece or stretch material. The tatami fill inside the silhouette is dense so you need solid hooping and no shifting midway through. Skip thin jersey because it wont hold the fill cleanly at these stitch densities.
Text me if theres anything odd with the file or a size isnt coming out right, Ill send you a fixed version same day.
Use cases coming soon.
Dimensions
4 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.20 × 5.00 in | 18,339 |
| 2.65 × 6.00 in | 22,476 |
| 3.08 × 7.00 in | 26,851 |
| 3.52 × 8.00 in | 31,401 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










