A guy from Oklahoma sent me a message last week, gold thread and black denim was his thing, and he wanted a tornado that looked like it could actually wreck something. The funnel starts at the top as these fine tight concentric spiral loops, almost like an engraving on old copper, then the body drops in with bold directional satin fill that gets more jagged and aggressive as it narrows down. At the ground contact point theres this radiating starburst with spiky lines shooting out sideways. One colour. Done. But because of how the density shifts across the whole thing, from those wispy outline loops up top to the packed satin columns in the middle, it reads like theres alot more going on than a single thread colour can explain.
The fine spiral lines at the top are satin stitch so your topping matters more than usual on textured fabric. Put a layer of water-soluble topping down before you hoop it and the loops will sit clean without the fibres poking through. I use a cutaway stabiliser on most fabrics for this one because of the density in that lower funnel section, it pulls a bit on terry and fleece if you go tearaway. Cotton twill and denim take it brilliantly. On dark navy or charcoal fabric with amber or gold thread it looks realy striking, almost like a foil print.
Pop it on a jacket back at the 6 inch size and it fills the space without crowding. Try the 4 inch across a canvas tote centre front, solid woven canvas means no stabiliser battle and the jagged satin edges pop clean against the fabric grain. Stitch it in burnt orange on cream linen and the vibe shifts completely, more vintage, less dramatic. The jagged underlay in the body section is what gives it that layered texture so dont skip a proper underlay run before the fill or the satin columns wont sit flat against each other.
Flag me down if you want a version without the border.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Jacket back panelRuns strong at the 6-inch size across a jacket back, gold on charcoal looks like a screen print.
- Baseball cap frontNeeds a topping layer on structured cap fabric so those fine spiral loops sit without distorting.
- Canvas toteCanvas tote takes the 4-inch version nicely at the center front, no stabiliser battle on woven canvas.
- Denim shirt pocketDenim takes the cutaway well underneath, the jagged satin edges really pop against dark indigo.
- Fleece hoodie chestNeeds a cutaway on fleece rather than tearaway, the dense lower funnel section will pull otherwise.
- Storm chaser gift itemGreat on a black cotton tee gift set at the 3-inch size, approachable but still looks bold.
- Weather enthusiast accessoriesHoop a windbreaker chest panel with the 5-inch version and the whole design has real movement to it.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.82 × 3.50 in | 6,347 |
| 3.63 × 4.50 in | 8,719 |
| 4.43 × 5.50 in | 11,516 |
| 5.24 × 6.49 in | 14,444 |
| 6.05 × 7.49 in | 17,579 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










