Pumpkin Laurel Wreath Embroidery Design, Fall Harvest Machine Embroidery Pattern, Instant Download

Pumpkin Laurel Wreath Embroidery Design, Fall Harvest Machine Embroidery Pattern, Instant Download

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Terms of Use

Designs may be stitched on items you make for personal use or to sell. The digital file itself stays mine and cant be redistributed. Read full license terms.

Refund Policy

Digital downloads cant be refunded once the file is downloaded. If somethings actually broken with the file I'll fix it though, just message me. Read full refund policy.

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There's something about the pumpkin-inside-a-wreath combination that people keep coming back to for fall decor projects, and this is my take on it. The laurel arc is symmetrical but not rigid, the leaves have a slight natural tilt so it doesnt look computer-generated. Eight colours, 8826 stitches, density 121, digitised in my software at 3.51 inches wide. I finished digitising this one last march, actually, while working on a fall collection for a small home goods shop, and they used it on canvas dinner napkins for a harvest-themed set.

At density 121 its a bit lighter than my denser designs, which means it sits beautifully on mid-weight wovens without heavy stabilisation. Use a firm tearaway on quilting cotton or muslin, step up to cutaway only if youre stitching on a knit or stretch fabric. The satin fills on the wreath leaves are narrow so use a 75/11 needle, anything larger and you lose the fine taper at the leaf tips. Run an underlay pass on the pumpkin body before the top orange satin goes down, the underlay keeps the ribs from sinking into the fabric pile.

People text me saying they use this one on napkins, aprons, autumn cushion panels, and a few have done it on fabric gift bags as thanksgiving hostess gifts. Its not too halloween, not too literal thanksgiving, just a genuinely nice fall botanical that works across the whole october-november window. Stitch it on natural linen for the cleanest result. Avoid shiny or synthetic base fabrics, the lower density shows thread gaps on slippery surfaces. Use the same sage green in your bobbin as in the wreath leaf tops, the back of these linens shows when theyre used as napkins.

Send a note if the file throws an error on your software and Ill check whats going on. Text me a chat if the file misbehaves and Ill rework the punch.

What people are using this design for

A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.

  • Autumn dinner napkin centre embroideryAutumn dinner napkin set for a harvest table, a home goods shop used this on canvas napkins for a matched set.
  • Fall harvest apron bib placementLinen apron bib for a thanksgiving host, the symmetrical laurel arc suits upper centre placement without crowding the bib.
  • Fabric gift bag for thanksgiving hostessFabric gift bag front for a thanksgiving hostess present, small canvas drawstring filled with treats or spices.
  • Linen pillow cover centred front panelLinen pillow cover for an october-through-november home, the design reads botanical rather than seasonal.
  • Framed hoop art in 5x7 inch frameHoop art on natural linen in a 7-inch frame with cardboard backing, the sage green and orange palette reads warm.
  • Canvas tote bag front panel embroideryCanvas tote front panel where the botanical wreath format suits everyday use beyond the fall season.
  • Quilted table mat centrepieceQuilted table mat centrepiece in cotton batting, lower density 121 sits flat without compressing the quilted layers.

Dimensions

9 sizes included. Stitch counts shown for the largest colorway.

Size (in) Stitches
3.51 × 3.21ches in 8,826
4.01 × 3.67ches in 10,008
4.51 × 4.13ches in 11,254
5.01 × 4.59ches in 12,517
5.51 × 5.05ches in 13,797
6.01 × 5.51ches in 15,169
6.51 × 5.97ches in 16,563
7.01 × 6.43ches in 18,078
7.51 × 6.88ches in 19,547

Files & Formats

Eight machine formats included in one zip. Whichever your machine reads, its in the pack.

CND
DST
EXP
HUS
JEF
PES
VP3
XXX

Plus a color chart for thread matching. See full format guide.

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Reyazul Masud Riham, the digitizer behind Re Embroidery
Behind every stitch

About the artist

Reyazul Masud Riham, hand-drawing every design on this site

Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.

That's the joy I work for.

The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.

Read the full story

1Hand-digitizer
7,000+Original designs
3-4Days per design
100%Hand-digitized