
Three books stacked up, slightly off-angle so you see the top, the spine and the front face of each one at the same time. Thats a proper 3/4 perspective view and its way harder to digitise well than a flat side-on stack. The top covers are stitched in a medium grey with angled satin columns that suggest a slightly worn cloth cover texture. Page edges on the side show as short horizontal line groups, which is how you draw those fanned paper edges in illustrations. All the outlines are solid black and they define the corners and the little page layer lines clearly.
With 68k stitches on the 6.83-inch size this is genuinely one of the denser fill designs I've made. You can feel the weight of it when you take it off the hoop on a quality cotton base. Three colour stops, grey first then white then black, build up in layers so each one locks the previous in place. Comes out very solid and clean. I had a librarian order a batch of these last autumn for her school's book fair volunteer bags, and she ordered again the following week.
Looks great on natural fabrics. Cream linen, pale tan canvas, soft white cotton all work. The grey and white palette is naturally neutral so it tends to work wherever you put it. Put it on dark navy or forest green and it also reads fine because the black outline does the separation work and pops off any dark base colour.
Use a proper woven cutaway stabiliser hooped below your fabric, not tearaway. The dense satin fill sections apply consistent pull in one direction and tearaway will distort over a run this size. Hoop your cutaway and fabric together tight and trim close after its done. Always do a test run on scrap at this stitch count, its worth the 10 minutes before you cut into a good piece of linen.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Librarian tote bags and book bagsStitch on a natural canvas tote and its essentially the perfect librarian carry-all, no text needed
- Teacher appreciation gifts and end-of-year itemsEmbroider on a tea towel or small pouch for a teacher gift set alongside a bookmark and a note
- Reading nook cushion coversGoes on a cushion cover for a reading corner chair or window seat, pairs well with warm neutral tones
- Book club tote bags and project bagsWorks on a project bag or zippered pouch for book club members to keep notepads and pens in
- Children's bedroom decor hoopsFrame in a 6-inch hoop with cream linen backing for a child's bedroom bookshelf or reading wall corner
- English teacher or literature classroom decorStitch on a tote that doubles as a classroom bag for an english or literature teacher who carries a lot of books
- Personalised canvas bags for a bookworm friendEmbroider on a canvas shoulder bag for a friend who reads constantly and will genuinely use it every day
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.42 × 4.01 in | 27,451 |
| 4.27 × 5.01 in | 36,588 |
| 5.13 × 6.01 in | 46,433 |
| 5.98 × 7.01 in | 57,270 |
| 6.83 × 8.01 in | 68,891 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.









