Two realistic ostriches side by side, a dusty pink female and a blue-grey teal male, both staring at you like they got caught mid-conversation. She has that muted pink neck, pale tones around the face, and droopy eyelash feathers at the crown that give her a permanently unimpressed look. Hes got a bright coral beak and a big orange-rimmed eye that takes up way too much of his face in the best way.
Each neck is built in rows of directional satin fills stacked at different angles so you get that layered scruffy texture ostriches actually have. The lash feathers at the crown on both birds are individual chain-stitch lines rather than fill shapes, so they keep that wispy separate quality. Ten colours and 32,878 stitches on the largest size. I realise this sounds like a lot but the stitch time goes quickly because the fills are all directional runs rather than dense satin blocks.
Smallest size is 3.5 by 2.97 inches, biggest is 7.5 by 6.37. Wide format suits cushion covers and framing well. Its the kind of design where people stop and look twice because at a glance it reads as a photo print. Drop midweight cutaway behind and run a light topping on surface-textured fabric so the fine crown lash detail doesnt fill. She sent me a photo last month of the large size framed in a natural linen hoop and it looked like a naturalist museum print, honestly couldnt tell it wasnt a printed poster at first glance.
Use cream, white, pale linen or soft grey backgrounds. Skip warm-yellow fabrics because they wash out the female's pink tones. Both birds have enough mid-tone feathering to read well on light to mid-tone fabric but go too dark and the blue-grey male drops out. Match your bobbin colour to the pink fills on the female's neck since those tones show through on lightweight fabric.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Wildlife or nature-themed cushion coversCentre the large on a cream linen cushion and it reads as a naturalist print rather than a craft piece
- Framed hoop wall art for a nursery or studyMount in a large round hoop with white cotton backing and hang as nursery wall art
- Childrens room tote bag with a fun animal designStitch the medium on a canvas tote for a child into animals, the expressions make it a hit with kids
- Zoo gift shop tote or merchandiseUse on totes or pouches for a zoo gift shop where the design needs to read clearly at a glance
- Bird lover birthday gift on a tea towel or apronPut the medium on a cotton apron as a bird lover birthday gift, ten colours makes it look personalised
- African safari home decor cushionStitch on a warm-toned cushion for a safari-themed room, the dusty pink and blue-grey fit earthy palettes
- Novelty embroidered sweatshirt front panelCentre on a sweatshirt front in the 5-inch size and the two birds at chest level get a double-take
- Textile wall hanging for an eclectic living roomMount on a linen panel and frame as a textile wall piece for a hallway with a naturalist decor style
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.97 in | 12,900 |
| 4.50 × 3.82 in | 17,205 |
| 5.50 × 4.67 in | 21,862 |
| 6.50 × 5.52 in | 27,175 |
| 7.50 × 6.37 in | 32,878 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










