But its the eyes you see first. Two amber-gold irises in a silver-grey face on solid stitched black, and they dont let go of eye contact. Head sits turned maybe thirty degrees right, muzzle tilting slightly forward, ears pricked and pointed. The mane ruff at the jaw fans out in layered long-stroke fills, each section angled differently so the whole ruff has actual dimension rather than reading as a flat grey mass.
Five colours: silver-white for highlights on the muzzle ridge and brow arch, mid-grey across the cheeks and forehead, dark charcoal at the ear tips and outer mane edges, two tones of amber-gold for the irises. The black background runs as part of the design itself, not the base fabric, so youre not restricted to black fabric. Density at 1491 stitches per square inch, biggest size tops just over 77k stitches. Thats serious thread volume. Use a heavy cutaway stabiliser, slow your machine speed on the dense mane sections, and dont rush the stitch-out.
Nine sizes from 3.51 by 3.23 up to 7.51 by 6.91, so its nearly square. Smallest at 3.5 still holds the fur detail clearly. Biggest at 7.5 is worth putting on a jacket back, the mane fills properly at scale. Place it on a jacket back and the amber eyes do all the talking from across a room. A customer last winter sent photos of it on dark navy denim and Ive honestly not seen those amber irises look so good on any other background. Whoever worked on this in industry tools spent real time on the layering and it absolutely shows in the way the colour shifts across the mane.
Medium to heavyweight fabrics work best: canvas, denim, wool-blend melton, thick fleece or sturdy cotton twill. Skip thin jersey or sheer fabric where the dense fill puckers. Float a topping on any textured weave so the long mane strokes dont sink into the surface.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Jacket back panel for a bold wildlife statement piecePut the 7.5-inch on the back of a black canvas jacket and the stitched-in black background makes it look printed, not patched
- Cushion for a cabin or lodge-themed roomCentre the 6-inch on a dark grey cushion for a cabin or lodge room, the silver fur reads warm under lamp light
- Large canvas tote for an outdoor or hiking themeStitch the 5-inch on a heavy canvas tote and pair it with a simple wordmark below, it works as outdoor brand merch
- Framed hoop art for a nature or wildlife collectorMount the 7-inch on a 10-inch dark hoop and frame it, the stitched black background means no frame backing shows through
- Gym bag or sports bag front panel for a wolf-themed designFront pocket panel on a black gym bag, the amber eyes make the design readable even from across a changing room
- Blanket or throw border for a wilderness aestheticUse a repeated smaller version as a border strip along the edge of a woollen throw for a wilderness-camp aesthetic
- Personalised gift for a wildlife photography or nature loverStitch on heavy cotton and have it framed as a gift for someone into wildlife photography or conservation work
- Cap or beanie centre patch for outdoor gear brandingThe 3.5-inch works on a structured cap front panel, the amber eyes do all the work at small scale
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.51 × 3.23 in | 34,072 |
| 4.01 × 3.69 in | 39,329 |
| 4.51 × 4.15 in | 44,591 |
| 5.01 × 4.61 in | 49,889 |
| 5.51 × 5.07 in | 55,176 |
| 6.01 × 5.53 in | 60,710 |
| 6.51 × 5.99 in | 66,369 |
| 7.00 × 6.45 in | 71,965 |
| 7.51 × 6.91 in | 77,366 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
